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Come on, I'd follow that man down the barrel of a cannon. Errol Flynn stars as Major Nelson, who along with 50 other commandos parachute into Burma to destroy a Japanese radar station. The mission is a success but while waiting to be air lifted to safety they come under attack from the Japanese and are forced to trek thru the jungle, simultaneously fighting the terrain just as much as the enemy. There were two magnificently directed war films made in 1945, one was John Ford's supreme John Wayne vehicle, They Were Expendable, the other is this much unheralded Raoul Walsh classic. High on military detail and paced with the ultimate precision, Objective, Burma! is as tense as it most assuredly is thrilling. It also finds Errol Flynn turning in what is arguably his finest acting performance. Casting off his rapscallion prankster like persona, he delivers a straight and raw emotive performance that proves beyond doubt he was an actor of note. Short on flag waving sloganeering, courtesy of the source story from Alvah Bessie, pic holds its head high in the technical departments as well. Franz Waxman's brilliant score is tense and unnerving and it mixes seamlessly with the sound department's excellent work involving the noises of the jungle. It's now very much a relief to be able hear this picture through the benefits of home cinema systems. James Wong Howe's photography is suitably bringing the jungle to life, which considering the film was shot mostly at the L.A. Arboretum & Botanical Gardens is quite some achievement. On its release in the U.S. the film was a critical and box office success, my fellow countrymen here in Britain, however, were not so impressed. Angry about the lack of credit given to the British in the Burmese operation, the film was subsequently banned in the UK until 1952. Then, with common sense prevailing, new prints were issued with a prologue giving credit to the other armed forces involved in the campaign. Which all in all ends things on a rather tidy note I feel. It's a magnificent picture that never loses sight of the core story, it's widely available now on various formats so really you have no excuse not to see it. 9/10
In a rural town in Louisiana, a black Master Sergeant is found shot to death just outside the local Army Base. Military lawyer, Captain Davenport—also a black man—is sent from Washington to conduct an investigation. Facing an uncooperative chain of command and fearful black troops, Davenport must battle with deceit and prejudice in order to find out exactly who really did kill the Master Sergeant.
In autumn 1944, during the Liberation of Brittany, writer Louis Guilloux worked as an interpreter for the American army. He was a privileged witness to some little-known dramatic aspects of the Liberation: the rapes and murders committed by GIs on French civilians. He also discovered the racism of American military justice. This experience haunted the novelist for thirty years. In 1976, he recounted it in a short novel, "Ok, Joe", which went unnoticed. This film compares his account with the memories of the last witnesses to these forgotten crimes and their punishments.
Australian filmmaker Sophia Turkiewicz investigates why her Polish mother abandoned her and uncovers the truth behind her mother's wartime escape from a Siberian gulag, leaving Sophia to confront her own capacity for forgiveness.
The film is a graphic depiction of the war atrocities committed by the Japanese at Unit 731, the secret biological weapons experimentation unit of the Imperial Japanese Army during World War II. The film details the various cruel medical experiments Unit 731 inflicted upon the Chinese and Soviet prisoners at the tail-end of the war.
Free-spirited writer Juliet Ashton forms a life-changing bond with the delightful and eccentric Guernsey Literary and Potato Peel Pie Society, when she decides to write about the book club they formed during the occupation of Guernsey in WWII.
Passengers on an ocean liner can't recall how they got onboard or where they are going. Soon it becomes apparent that they all have something in common.
Margaret is a nurse in England during WW2, and married to a secret agent. Things get complicated when she falls for David, an American pilot.
Three friends meet one summer at a skydiving center. Adventurous, they spend most of their time jumping - for thrills and to escape what haunts them. When his dream of becoming a pilot is shattered, Rafaël, a young daredevil of 20 years, puts his life in danger by pushing his limits as a parashooter. Her friend Charles, the older owner of the skydiving center, tries to make her understand reason while developing a love passion for Manu, a young woman who, at 20, has to deal with her mother's cancer. But Manu and Rafaël also develop a strong passion, which comes to compromise the strong bond between the three friends. Things don't work out when Rafaël, who has been forbidden to jump, comes to miss a particularly dangerous jump prepared by Charles.
In 1943, the Imperial Japanese Secret Service made a film called Calling Australia! to show the "exemplary conditions" under which prisoners of war were kept, and to "soften up" the Australian public for the anticipated occupation of their country by Japanese forces. Prisoners of Propaganda tells why the film was made, and how it came to be forgotten.
In Japanese-occupied Hong Kong, a school teacher and her would-be-fiancé link up with Chinese guerrilla fighters, forging their own path to freedom.