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**The end of a franchise that should never have existed.** It is often said that there is no love like the first, and really “Magnificent Seven” was an excellent film, which deserves to be remembered and that is part of the great Western films, for me. The film had several sequels, as we know, but none of them were necessary, and the truth is that it would have been better if they had never been made. This film was the third and final sequel to “Magnificent Seven”. Again, we witness an absolute renewal of the cast, in a radical break with everything that was done previously: here we already see Chris (always the same character, despite the rotation of actors) aged, as sheriff, about to get married. A local bank robbery, followed by the kidnapping of his fiancée, will force the retired gunfighter back into action. He fails, however, to save the bride, who has been raped and killed by thieves. The plot continues, there are a few more deaths that motivate Chris to hunt for his target, which associate rapes with homicides. The only good thing about this film is the plot: the script ultimately presents a different story than the one that was done in the first film, and repeatedly chewed up in the immediate sequels. We can even dispute the quality and detail of the script, but I think it's much fresher and more acceptable material. Even so, it is in the details that the problems lie: and there are many points where the plot really feels bad, far-fetched and forced. Lee Van Cleef is a good actor, and it wasn't difficult for him to take the lead here. However, it does not seem to me that the film allows him to shine. I haven't seen much of the actor's work, but it's hard for him to make Brynner's performance in the same character forget. For the rest, he is the only actor who deserves a minimally positive mention. The rest of the cast is overwhelmingly average. Filmed entirely in the USA, the film is the typical Western, where everything ends in a hail of bullets, looking for the massive action to effectively replace the weaknesses of the script and the rest of the material. Obviously, it doesn't work. The film has clearly fake sets and, on more than one occasion, I felt that the costumes are excessively anachronistic and even uncharacteristic or difficult to accept in a period production. Besides, there isn't much quality here, so it's not a film that I feel capable of recommending to anyone.
Lee Van Cleef takes on the famous Yul Brynner role as "Chris" - this time a US Marshal who is drafted in to recruit a team to protect a small agrarian township from the marauding "De Toro" (Ron Stein). The casting is oddly unconvincing. Stefanie Powers just doesn't cut it at all as love interest "Laurie", nor does Mickey Callan as "Noah" (he should just have stuck to fighting over-sized chickens and Herbert Lom) and, unfortunately, I just cannot take Ralph Waite seriously even though this was made before we became accustomed to his performances with his wholesome "Paw Walton" characterisation. It is stodgily directed, drearily written and is an exceptionally slow burn for an action film, and though it does pick up slightly for the last fifteen minutes or so it is not really much of a worthy successor and I found that it was a film that I am sure I must have seen before, but remember not at all.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
Lucky's band of outlaws holds a rich girl for ransom and plans a new series of robberies. Meanwhile, a peasant who was widowed by one of Lucky's men teams up with a Preacher/Bounty Hunter to plot a premature end to Lucky's lucky streak.
Saint Charles County, Missouri, December 1863. Edmond, a prosperous French perfume merchant, decides to flee to a safer place when the storms of the American Civil War start knocking at his door, threatening the life and fortune of his family.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
Homesteaders Mace Corbin and Clyde Moss pick up much needed dynamite and begin a journey to transport it from an army fort to their homes, hiring a crew of ex-soldiers just released from the army prison. Mace knows he's got his work cut out for him with unstable dynamite, undisciplined hired hands and possible hostile Indians but he doesn't have the slightest hint that his trusted friend Clyde has betrayed him.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
A crusty old rancher hires three young women to pose as his daughters. However, the real father of one of the daughters finds out about it, and kidnaps her to hold her for ransom-which the rancher can't pay.
Farmer Frank and his ward hunt brother Jesse's killers, the back-shooting Fords.
Retired rodeo champion Jeff McCloud agrees to mentor novice rodeo contestant Wes Merritt against the wishes of Merritt's wife who fears the dangers of this rough sport.
After a band of drunken thugs overruns a small Indian Nation town, killing Reverend Goodnight and raping the women folk, Eula Goodnight enlists the aid of US Marshal Cogburn to hunt them down and bring her father's killers to justice.
In the 1800s frontier, Missie Davis is a bright and beautiful schoolteacher whose love for the prairie is matched only by her passion for books. When Missie encounters Grant, a handsome New England railroad executive, she feels as though she's met a hero from one of her novels.