新平家物語　義仲をめぐる三人の女

Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.

In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

GOZEN is a jidageki (period piece) dramas. The word “gozen” refers to a feudal game held in the presence of a Daimyo, described as a match “one must not lose”.

Heizo's cousin Senemon Misawa and his son Katsuzo visited Heizo's home. Heizo learns that Senemon has fallen in love with Katsutoshi, a woman who works at the Yamabukiya Tea House, and has asked her to marry him. Heizo decided to visit Yamabukiya, saying "I will try to find out if this woman is a bodhisattva or a demon." After meeting Katsutoshi Heizo, felt embarrassed and ordered Gorozo to inquire about her just in case. Gorozo, in turn, sends secret detective Rihachi to Yamabukiya with the task of keeping an eye on Katsutoshi...

Edo town thief called "Acrobatics boy" has been rampant in town, just that time, spy, Goro of Otaki will see a woman who had been an inside contact of the Yataro by chance. Also, Heizo is worried about the child of Inoue Tatsuizumi, who decided to ask for help for Gen'an.

In 1879, Kenshin and his allies face their strongest enemy yet: his former brother-in-law Enishi Yukishiro and his minions, who've vowed their revenge.

In the era of the ninth shogun, Ieshige, the Ooku of Edo Castle was a world of only women, with Tokiwa at the head and numbering up to a thousand. The town girl Otoshi catches the eye of Oitsu-no-kata and is brought into the Ooku. Oitsu receives the favor of Ieshige and is blessed with an heir, but Oko-no-kata resents Oitsu to the point of wanting to curse her to death. At that time, rumors of an evil spirit in the unopened room spread throughout the Ooku.

Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

After the fall of the Tokugawa Shogunate, there was a series of battles fought while the former supporters of the Tokugawa shogunate retreated to the north where they actually started a sovereign nation that was recognized by more than one European country. Survivors of the Shinsengumi were among the followers of Enomoto Takeaki who took them to the northernmost island of Ezo where they fought their final battle at the star shaped fort, Goryokaku. The Japanese Civil Wars fought in the name of the emperor signaled the complete end of the feudal system and Japan’s entry into the modern world as those brave samurai tried to halt progress and learned that the age of modern warfare and weaponry had passed them by. Swords were no match for rifles and cannons, nor was any man a match for the power of the imperial flag. Japanese loyalty to the emperor has long defined the nation and culture despite the changing times.