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Old-fashioned atypical Western laden by complex legal/financial talk, but has several highlights RELEASED IN 1952 and directed by Felix Feist, "The Big Trees" stars Kirk Douglas as a conniving lumber baron, Jim Fallon, who schemes to make it rich in Northern California in 1900 when a new law means large tracks of land are up for grabs to whoever can pay the fees. He plans to cut down the mighty redwoods but a colony of homesteading Quaker-like Christians are unwavering in their resolve to save the largest of the sacred trees, which are the ones Fallon wants most. Edgar Buchanan plays Fallon’s sidekick-turned-marshal in the Redwoods, Walter "Yukon Lucky" Burns. This was a remake of Warner Brother's "Valley of the Giants" from fifteen years earlier. While Douglas worked for free to get out of his WB contract it doesn’t seem like it, as he has his usual gusto. The old-fashioned tone will likely turn off modern viewers but the environmental message was certainly ahead of its time. The story lacks drive, however, due to the convoluted dialog about legalities & finance; it's as though you need a doctorate on California land law in order to follow what’s happening. Fallon (Douglas) naturally becomes smitten by religious beauty Alicia Chadwick (Eve Miller) while having dubious links to blonde showgirl Dora "Daisy Fisher" Figg (Patrice Wymore). Speaking of whom, jaw-dropping Wymore has a memorable song & dance sequence that’s worth the price of admission, particularly when she, um, never mind. There are several other highlights, like a scene that shows how ancient the redwoods are (e.g. they were fully grown when William the Conqueror invaded England in 1066). Furthermore, there are fistfights, a falling tree that crushes a cabin, a dynamited dam, a thrilling runaway train sequence, a huge trestle that collapses under the train, a sacrificial death and a good moral(s). I should add that the script perpetuates the myth that “The Lord helps those who help themselves” comes from the Bible. While a worthy proverb, it’s not Scripture. Watch out for Alan Hale Jr. (the Skipper from Gilligan’s Island) playing Tiny. THE MOVIE RUNS 1 hour 29 minutes and was shot in Redwood Groves, Orick and Eureka, California. WRITERS: John Twist and James R. Webb wrote the screenplay from Kenneth Earl’s novel. GRADE: B-/C+
Spanning over one thousand years, and three parallel stories, The Fountain is a story of love, death, spirituality, and the fragility of our existence in this world.
Smilja is a little girl living in Dalmatian Zagora. One day, her mother dies under a small oak tree and she is left without parents. Luckily, she gets adopted and continues to nurture the oak where her mother died. Many years later, Smilja is a handsome woman, but her jealous stepbrother Josip kills her boyfriend Ivan and rapes her. Ivan's brothers swear revenge.
In a rainy afternoon drive, a man embarks on a journey through his memories. As he questions his faith, the line between past and present begins to blur, leading him into a maelstrom of fragmented images.
A young, unnamed woman, while biking home from the bank she works at, happens upon a weakened tree goddess whose native shrine is being demolished for construction work. She rescues her and brings the goddess home with her. The two form a relationship, but what will happen to the goddess as the construction progresses?
Set in mid-70's, 12-year old Dvir Avni navigates between the equality values of his home-born Kibbutz and the relationship with his undermined mother, whom the Kibbutz members will to denounce.
Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.
Story of Jamal, a Turkmen woman who is left to tend to the farm when her husband goes off to fight in WW2.
Juraj Jakubisko's first feature film after a forced nine-year-long break is a story about an unconventional man, Jozef Matúš. He arrives to a small village in eastern Slovakia to settle down and start a family. He is ready to subordinate everything to his goal. It all starts with stealing building material and ends with him disregarding those close to him to a point where his ambitions are turning against him. Build a House, Plant a Tree is a viewer-friendly film with a plot resembling a western, including several attractive action sequences.
The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
a young artist tired of his lonely life decides to walk through the city and reunite with someone from his past.
