The Ceremony Is About to Begin 2024 - Movies (Feb 17th)
SNL50 The Anniversary Special 2025 - Movies (Feb 17th)
Mufasa The Lion King 2024 - Movies (Feb 17th)
Hobby Hustle 2025 - Movies (Feb 17th)
Cabrini 2024 - Movies (Oct 2nd)
Big Rage 2024 - Movies (Feb 17th)
Return to Office 2025 - Movies (Feb 16th)
SNL50 The Homecoming Concert 2025 - Movies (Feb 16th)
Captain America Brave New World 2025 - Movies (Feb 14th)
The Lord of the Rings The War of the Rohirrim 2024 - Movies (Feb 14th)
The Peanut Man 2024 - Movies (Feb 14th)
The Most Beautiful Girl in The World 2025 - Movies (Feb 14th)
The Dead Thing 2024 - Movies (Feb 14th)
Paddington in Peru 2024 - Movies (Feb 13th)
My Fault London 2025 - Movies (Feb 13th)
Trust in Love 2024 - Movies (Feb 13th)
La Dolce Villa 2025 - Movies (Feb 13th)
Christmas Cowboy 2024 - Movies (Feb 13th)
Emmanuelle 2024 - Movies (Feb 12th)
The Simpsons The Past and the Furious 2025 - Movies (Feb 12th)
Goodbye Hello 2024 - Movies (Feb 12th)
Batch from Scratch- Cooking for Less - (Feb 17th)
The Bold and the Beautiful - (Feb 17th)
The Young and the Restless - (Feb 17th)
Love Island- All Stars - (Feb 17th)
Deadline- White House - (Feb 17th)
Murder- Suspect No.1 - (Feb 17th)
Piers Morgan Uncensored - (Feb 17th)
Chris Jansing Reports - (Feb 17th)
Katy Tur Reports - (Feb 17th)
Traffic Cops - (Feb 17th)
The Repair Shop on the Road - (Feb 17th)
Come Dine With Me- South Africa - (Feb 17th)
Four in a Bed - (Feb 17th)
Escape to the Country - (Feb 17th)
Family Feud Canada - (Feb 17th)
Murdoch Mysteries - (Feb 17th)
Bargain Hunt - (Feb 17th)
Saint-Pierre - (Feb 17th)
Common Side Effects - (Feb 17th)
Australian Survivor - (Feb 17th)
Whilst Laurence Olivier has been acclaimed by many as the greatest exponent of Shakespeare ever, it is pretty clear in this strongly cast adaptation of probably my favourite of his histories, that Ralph Richardson and John Gielgud were every bit as good as he ever was. Add to this excellent cast Sir Cedric Hardwicke (and his instantly recognisable voice) as Edward IV; Mary Kerridge's excellent performance as Queen Elizabeth (Woodville) and a host of accomplished British stage actors and the scene is set for a rousing and luscious depiction of betrayal, lust and power. It is a bit over-theatrical at times, and the stage-bound nature of the vast majority of the production can be a little limiting, but Olivier directs himself and the others pretty much as I imagine the bard himself might have done. The dialogue is delivered in a focused and effective fashion and the "method" acting is largely left at the stage door as this epic tale of treachery and duplicity gathers pace and the internecine nature of the characterisations and their intrigues are readily brought to the fore. It does require a bit of concentration, but I found it positively flew by on a big screen that had me glued from the start. I reckon this is as good an interpretation of William Shakespeare as you will ever see, and is well worth a watch.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
Sissi is now the empress of Austria and attempts to learn etiquette. While she is busy being empress she also has to deal with her difficult new mother-in-law, while the arch-duchess Sophie is trying to tell the emperor how to rule and also Sissi how to be a mother.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
Set in 1301 at the end of Medieval times, our most famous star-crossed lovers turn the tides on the history Shakespeare based his own story on, as they reveal the truth to the very future of the Empire. But the biggest twist in this most beloved of tales, is leaving the poetry of Iambic Pentameter in the past, for the original pop music that rockets these ever-present themes right to the heart of our characters in the most surprising, and perhaps most powerful way that has ever been seen, or heard, before... The greatest love story of all time, set to the greatest music of our time.
Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.
A history professor and his wife entertain a young couple who are new to the university's faculty. As the drinks flow, secrets come to light, and the middle-aged couple unload onto their guests the full force of the bitterness, dysfunction, and animosity that defines their marriage.
Two runaway, gun-obsessed, outlaw lovers are given a task to kill two political figures in the midst of a civil revolution outside the walls where these characters are trapped, waiting for the phone call to give them a sense of purpose
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.