War of the Worlds Extinction 2024 - Movies (Mar 28th)
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The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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The House Was Not Hungry Then 2025 - Movies (Mar 27th)
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Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
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Whilst Laurence Olivier has been acclaimed by many as the greatest exponent of Shakespeare ever, it is pretty clear in this strongly cast adaptation of probably my favourite of his histories, that Ralph Richardson and John Gielgud were every bit as good as he ever was. Add to this excellent cast Sir Cedric Hardwicke (and his instantly recognisable voice) as Edward IV; Mary Kerridge's excellent performance as Queen Elizabeth (Woodville) and a host of accomplished British stage actors and the scene is set for a rousing and luscious depiction of betrayal, lust and power. It is a bit over-theatrical at times, and the stage-bound nature of the vast majority of the production can be a little limiting, but Olivier directs himself and the others pretty much as I imagine the bard himself might have done. The dialogue is delivered in a focused and effective fashion and the "method" acting is largely left at the stage door as this epic tale of treachery and duplicity gathers pace and the internecine nature of the characterisations and their intrigues are readily brought to the fore. It does require a bit of concentration, but I found it positively flew by on a big screen that had me glued from the start. I reckon this is as good an interpretation of William Shakespeare as you will ever see, and is well worth a watch.
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Two young men attempt to prove they committed the perfect murder by hosting a dinner party for the family of a classmate they just strangled to death.
Young Shakespeare is forced to stage his latest comedy, "Romeo and Ethel, the Pirate's Daughter," before it's even written. When a lovely noblewoman auditions for a role, they fall into forbidden love - and his play finds a new life (and title). As their relationship progresses, Shakespeare's comedy soon transforms into tragedy.
A distinguished military leader whose reign was touched by great scandal, shocking betrayals and rousing victories. A simple shepherd boy chosen to be king, under the watchful eyes of prophet Samuel.
Natalie and Joshua appear to be the picture-perfect couple, but looks can be deceiving. When Natalie discovers her husband has led a secret life, she is forced to deal with losing everything she loves. Newly divorced and soured on relationships, Natalie is picking up the pieces of her shattered world. In the process of healing, she meets a new man who challenges the boundaries of her trust and her ability to fall in love again.
A love story about chance meetings, instant attractions, and casual betrayals. Four strangers - with one thing in common: each other.
An ex-theater actor is given one more chance to star in a musical yet his alcoholism may prevent it from happening.
Hamlet has the world at his feet. Young, wealthy and living a hedonistic life studying abroad. Then word reaches him that his father is dead. Returning home he finds his world is utterly changed, his certainties smashed and his home a foreign land. Struggling to understand his place in a new world order he faces a stark choice. Submit, or rage against the injustice of his new reality. Simon Godwin directs Paapa Essiedu as Hamlet in Shakespeare's searing tragedy. As relevant today as when it was written, Hamlet confronts each of us with the mirror of our own mortality in an imperfect world. Hamlet played in the Royal Shakespeare Theatre, Stratford-upon-Avon until throughout summer 2016.
A man refuses all assistance from his daughter as he ages and, as he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.