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War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Snow White 2025 - Movies (Mar 27th)
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One Killer Question - (Mar 29th)
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The boys sign off with unbridled joy. Malcolm Smith loves the movies and especially Anita Ekberg. Getting one of his lucky feelings, Malcolm buys a ream of raffle tickets to win a car. Sure enough he wins, but so does gigolo gambler Steve Wiley, who, not unsurprisingly has won by less than honourable means. Refusing to give out two cars, the promotion merely tells the men that they will have to share the car. Much to Steve's annoyance as he has debts to pay. So deviously he agrees to drive with Malcolm to Hollywood, planning to ditch him at the first chance he gets. Only he hadn't figured on Mr. Bascom, Malcolm's Great Dane who's along for the ride, and an encounter with the pretty Terry Roberts. Yep, it's safe to say this is not going to be an ordinary road trip. With their relationship deeply fractured at this time (this was their last film together), it's something of a surprise to find that Hollywood Or Bust is one of the finest films that Dean Martin (Steve) and Jerry Lewis (Malcolm) made. Everything that made the duo so massively popular is in here, even into the bargain daring to cast a satirical slant to the whiles and trials of Hollywood itself. A lot of the credit has to go to director Frank Tashlin. Tashlin, who was also at the helm for arguably the boys career high point Artists & Models, keeps the whole thing zippy, steering the duo in a direction to which they simply could not fail. Sure enough the humour is almost juvenile at times, and yes Dean of course croons and tries to bed the girl (a spiky Pat Crowley as Terry), but it's got such a sense of joy to it, the kind of joy that much like Artists & Models, can really lift the blues. Stand out songs from the Sammy Fain and Paul Francis Webster score are "A Day in the Country" and "It Looks Like Love", whilst it will be tough not to giggle at some of the antics of Mr. Bascom and the irrepressible Lewis, particularly with one particular movie parody. Anita Ekberg comes and joins in the fun later in the piece, just in time for the riotous carnage that you know is around the corner. If the sight of a Great Dane driving a car is not funny to you? Well chances are you should avoid this film completely. But that would be a shame for it's a delightful film, brisk and cheeky, it's most definitely one that's in desperate need of reappraisal from the grumpy brigade because it's a real blues lifter. 8/10
The ultimate disaster film parody. A nuclear-powered bus is making its maiden non-stop trip from New York to Denver. The journey is plagued by disasters due to the machinations of a mysterious group allied with the oil lobby. Will the down-on-his-luck driver, with a reputation for eating his passengers, be able to complete the journey?
Into the world of the Emperor Penguins, who find their soul mates through song, a penguin is born who cannot sing. But he can tap dance something fierce!
Wayne Dobie is a shy cop whose low-key demeanor has earned him the affectionate nickname "Mad Dog." After Mad Dog saves the life of Frank Milo, a crime boss and aspiring stand-up comedian, he's offered the company of an attractive young waitress named Glory for a week. At first both are uneasy about the arrangement, but they eventually fall in love. However, the situation becomes complicated when Milo demands Glory back.
Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two reunite. On the way he discovers France, bicycling and true love, among other things.
Rogers plays a small town banker in the 1890s whose chief rival is the deacon (Middleton) with whom he has traded horse flesh. Taylor is a bank teller who places a winning $4,500 bet on a 10-1 harness racing horse, making him Rogers' bank partner.
A humble Romanian actor in his 40's, hardly surviving between a complicated part in a musical, a depressed wife, and the obsession of an imminent, devastating earthquake, becomes the victim of his manipulative father.
Buster and his new cast now have their sights set on debuting a new show at the Crystal Tower Theater in glamorous Redshore City. But with no connections, he and his singers must sneak into the Crystal Entertainment offices, run by the ruthless wolf mogul Jimmy Crystal, where the gang pitches the ridiculous idea of casting the lion rock legend Clay Calloway in their show. Buster must embark on a quest to find the now-isolated Clay and persuade him to return to the stage.
Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after fickle Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and his manager.
A high school senior drives cross-country with his best friends to hook up with a babe he met online.
When Mitchie gets a chance to attend Camp Rock, her life takes an unpredictable twist, and she learns just how important it is to be true to yourself.
