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Documentary that tells the story of Vianney Trejo, a young woman who struggles every day despite her disability. We go through her daily routine, as well as her passion, swimming, where she has consistently achieved triumphs and has been considered for international competitions.

A unique documentary that interlaces archival interviews with author Philip K. Dick with chats featuring cast and crew. Discussed are the origins of the story, parallels the cast and crew sees to the goings-on in today's world, and adapting the story for film, modern audiences, and its unique look.

A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).

At 22, Alain is already a living legend in Marseille. Of all the young divers who jump from the Corniche, he is the only one to dive head and neck forward "to break the water". If the jump allows him to control his impulses, he knows that he will not be able to brave forever the fear of heights.

Thomas Heart, details his life including his friends and struggles while living his life in the identity of a bird.

This FitzPatrick Traveltalk short visits Guatemala City, touching upon its sights, customs, and history.

This short documentary focuses on protests surrounding a homophobic sign that hung behind the bar of Barney's Beanery in West Hollywood for many years.

Over twists, presses, and wash-and-goes, filmmaker Cheryl Dunye joins other clients and hairstylist DiAna DiAna in her South Carolina salon to discuss the current impact of AIDS on Blacks in the south, and what has changed and stayed the same since DiAna was featured in a seminal short video by Ellen Spiro thirty years ago. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.