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A hippie radical, Huey Walker has been a fugitive for decades, accused of a crime that he may not have committed. Finally apprehended, Walker is escorted to trial by uptight 20-something FBI agent John Buckner. While the two seem to be polar opposites, it turns out that Buckner may have more in common with Walker than is initially apparent, a point that is driven home when the pair faces off against a sinister small-town sheriff.
Two robbers flee from a robbery into a neighborhood where they seek safety. Spotting two guys arriving to a house, the robbers pull into the driveway and use a car cover to hide. Inside the house, they discover that it's a gathering of cannabis entrepreneurs. In short , their robbery is discovered. And now the robbers make them eat edibles while they hold them hostage. Chaos ensues.
Sir James Bond is called back out of retirement to stop SMERSH. In order to trick SMERSH, James thinks up the ultimate plan - that every agent will be named 'James Bond'. One of the Bonds, whose real name is Evelyn Tremble is sent to take on Le Chiffre in a game of baccarat, but all the Bonds get more than they can handle.
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
A surreal triptych adapted by "Trainspotting" author Irvine Welsh from his acclaimed collection of short stories. Combining a vicious sense of humor with hard-talking drama, the film reaches into the hearts and minds of the chemical generation, casting a dark and unholy light into the hidden corners of the human psyche.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
A myriad of outrageous calamities befalls an eccentric English clan with more than a few skeletons in its closets when the family's patriarch dies an unexpected death.
Dawn Davenport progresses from a teenage nightmare hell-bent on getting cha-cha heels for Christmas to a fame monster whose egomaniacal impulses land her in the electric chair.
The fanatic beliefs of an internet mystic, a cult leader, and a rookie cop gone rogue are tested on the hunt for the "Hidden Man" - an elusive forest-dwelling cryptid that terrorizes their idyllic suburb.
In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.