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The Fatales - Homme & Femme. The Servant is directed by Joseph Losey and adapted to screenplay by Harold Pinter from the novelette of the same name written by Robin Maugham. It stars Dirk Bogarde, Sarah Mles, Wendy Craig and James Fox. Music is by John Dankworth and cinematography by Douglas Slocombe. When well-to-do Londoner Tony (Fox) hires Hugo Barrett (Bogarde) as his manservant, he gets more than he bargained for. Especially when Hugo's sister Vera (Miles) also arrives on the scene... The Servant remains as enigmatic today as it was back on its release in the early part of the 1960s. It's a film that defies classification, that rare old cinematic treat that continues to cause debate about not only its worth as art, but also its very meaning(s). A head bothering delight that revels in toying with your perceptions as much as Hugo Barrett enjoys toying with his supposed master. Lets play master and servant - indeed. Set predominantly in the confines of Tony's swanky Chelsea abode, there's a disturbing claustrophobia that pervades the narrative, and this before we even begin to ponder the power of man, his ability to dominate and manipulate, or the reverse side that sees another's lack of ability to not succumb to the downward spiral instigated by a supposed lesser man. Sprinkled over power issues are sexual desires, obtained, unfulfilled or simmering away unspoken. As the literate screenplay comes out in sharp dialogue snatches, breaking free of Pinter's other wise cement ensconced writing, there's evidence that this is a psychological study as opposed to the class system allegory that many thought it was way back then. This really isn't about role reversal, the finale tells us that. Visually it's a box of atmospheric tricks as well. Losey and Slocombe use deep angular black and white photography to enforce the chilly dynamics at work in the story, the longer the film goes on, as it gets to the nitty gritty, the more jarring the camera work becomes - delightfully so - the house no longer an affluent person's residence, but a skew-whiff place of debauchery and mind transference. And mirrors - reflections, important and used to great effect. Some scenes are striking and rich. Hugo at the top of the stairs standing in the bedroom doorway, in silhouette, an overhead shot of Hugo and Tony playing a childlike ball game on the stairs, a sex scene on a leather chair that we don't see but understand totally. And many more as Losey finds the material that allows him to show his skills. Cast performances are across the board terrific, particularly Bogarde who gives a visual acting master class, and Fox who beautifully shifts a gear from toff twit into dependant dead beat. While Dankworth's musical accompaniments add flavour to the unfolding machinations. 9/10
A young social climber wins the heart of a beautiful heiress but his former girlfriend's pregnancy stands in the way of his ambition.
Rick Mason is the no-good lowdown rat who tries to capitalize on postwar patriotism and grief. He finagles a war widow into giving up her savings for a nonexistent memorial. When Mason falls in love with the widow he has pangs of conscience, but he reckons without his con-artist boss, who tends to bolster his arguments with muscle and bullets.
The quiet life of Baker Dill, a fishing boat captain who lives on the isolated Plymouth Island, where he spends his days obsessed with capturing an elusive tuna while fighting his personal demons, is interrupted when someone from his past comes to him searching for help.
A dying man gives his lawyer a tape that manipulates her into taking a posthumous revenge on those who made his life Hell.
Max and Avery go on their first date after meeting on a social media app. Their evening takes a perilous turn when they end up at a local haunted house, the home of ‘Rotcreep’, a sinister creature that rots your body and soul with one touch.
Shehata is a committed employee in a private hospital. He lives with his daughter Nemat and his wife. One day Hussein proposes to his daughter, but the problem is that Shehata is unable to prepare his daughter, which prompts him to ask for an advance from the company. After management refuses, one of the bribed employees takes advantage of the opportunity and offers Shehata received a sum of money in exchange for a trust receipt, which he quickly used against him, especially after Shehata discovered that an incident of embezzlement had occurred.
A Punjabi family is thrown into chaos following the eldest son's refusal to go through with an arranged marriage to a woman who has travelled over from India.
Othman Abdelbaset suffers from the intervention of his mother-in-law in his life with his wife. He always worries about his assistants in the pancake shop he runs until his mother-in-law succeeds in cutting him off with his wife and turning his life into hell. He thinks of committing suicide and introduces his idea to his aides. The three go to sea to carry out the idea, but one of the sailors sees them leading the boat trip to one of the islands and they are on an adventure inside the Prince of the Island where they fight the bad guys who want to take over the island rule
Ismail wants to grab his wife's Turkish money, claiming that he has the children of a former wife who died, and that he can not spend on them, but Ismail does not realize that this little lie has left him in an endless series of lies, Of each lie with a greater lie, and every time the wife deals with him in good faith.
Powerful, uncompromising drama about two boys' struggle for survival in the nightmare world of Britain's notorious Borstal Reformatory.