Frank and Ollie

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

Produced and directed this documentary for BBC in the 1980’s, about David Gulpilil, acclaimed Australian Aboriginal actor, dancer and musician. The film shows how Gulpilil is always working to bridge the gap between the tribal Aboriginal and Western worlds. He divides his time between a traditional tribal lifestyle and his artistic work, which has included major film roles, collaboration with contemporary dance and music groups and teaching Aboriginal dance and culture. Bill and David travel to Hollywood where David was the most popular Australian in the world at that time, with FOUR films playing in America – WALKABOUT, STORM BOY, THE LAST WAVE and MAD DOG MORGAN. After relating to both the black and native American cultures and filming a quick scene for a big Hollywood picture, he pines to head back through the Outback to his beloved Arnhem Land. Edited by Simon Dibbs and shot by Ray Henman.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

In "Gone with the Wind" she was an unforgettable Scarlett O'Hara. Beauty, two-time Oscar winner, celebrated Hollywood star and great Shakespearean interpreter - Vivien Leigh was all that. Behind the celebrity, however, was a fragile person. Her bipolar disorder clouded her success and her private happiness.

A gripping documentary about the courage and determination of a young English stockbroker who saved the lives of 669 children. Between March 13 and August 2, 1939, Nicholas Winton organized 8 transports to take children from Prague to new homes in Great Britain, and kept quiet about it until his wife discovered a scrapbook documenting his unique mission in 1988. Winton was a successful 29-year-old stockbroker in London who "had an intuition" about the fate of the Jews when he visited Prague in 1939. He quietly but decisively got down to the business of saving lives. We learn how only two countries, Sweden and Britain, answered his call to harbor the young refugees; how documents had to be forged and how once foster parents signed for the children on delivery, that was the last he saw of them.

This film is a fascinating look at some people afflicted with congenital deformities of an extreme nature. Their ability to live with their aberrations while remaining socially involved and upbeat is truly inspirational. While their predecessors were often seen in so called "freak shows" that were part of various exhibitions from Coney Island to traveling circuses, these performers were actually the more fortunate ones in an era of little tolerance for those who were different from the accepted norm. Many became famous and extremely wealthy, such as Tom Thumb (Charles Sherwood Stratton), who worked for many years with P.T. Barnum.

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

The story of the secret of self-creativity, the loneliness of the soul, the meridians of con-sciousness and the scope of man. Ilmārs Blumbergs (1943-2016) is a concept in life than can be classically proven if we analyze his work in set design, poster art, painting and multimedia work. The personality of Blumbergs, however is a shifting and intangible material which ensures superior value, wonderfulness and intimacy to all that he created. Those who analyze his art and world perceptions, recognize the work as seeming to come from antiquity, but it can never be catalogued or recorded in bookkeeping. How fortunate that it also cannot be consumed.

She was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. This highly engaging film takes us on a journey through the life of one of the most prevalent female icons: Frida Kahlo. Displaying a treasure trove of colour and a feast of vibrancy on screen, this personal and intimate film offers privileged access to her works and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, men, women, politics and her cultural heritage.