Dancing in the Dark - The End of Physics

Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

A celebrity-filled look at the opening festivities for Walt Disney World in Florida.

We're at a tipping point in history, the hidden technology that could change everything has been suppressed for decades. Dr. Steven Greer presents mind-blowing information along with never before seen access into the crusade behind disclosure. Retired FBI special agent John Desouza, Aerospace Historians James C, Goodall along with Michael Schratt breakdown the implications of the cover-up, and the false UFO narrative created by the major media. How much does the President of the United States really know about the UFO phenomenon, and the Above Top Secret projects involved with exotic technology? Billy Carson presents the real motivation behind the major media, and the U.S. Military role out of the UAP phenomenon.

“It may be worse than Portugal,” observes cinematographer Henri Alekan about a Los Angeles film lab while on the set of Wim Wenders’ The State of Things (1984). A legendary production and a transitional work for the New German Cinema director as his work became increasingly international, Wenders set out to make a film about filmmaking as funding stalled on the American production of Hammett. The State of Things deals with American and European sensibilities about cinema, and he enlisted Lachman to film and document the film being made in Los Angeles. Made for German television, completed in 1985 and unseen outside of Germany, Lachman’s portrait of Wenders at work features striking filmmaking and location photography of Los Angeles in the 1980s, and serves as a candid glimpse into European encounters with American culture at the time.

Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.

The world’s favorite dirtbike film series returns in 2016 with MOTO 8. Once again bringing the greatest riders in the game to the most epic locations, MOTO 8 gives viewers the most badass visual moto experience ever seen. From the biggest tracks in the world, to going 100+mph through the Australian outback, MOTO 8 continues the progression of filmmaking in the two-wheel world. It’s the roots of motocross, portrayed in the modern era: wide open throttles and massive jumps combined with helicopters and 4K cameras.

How did humanity's earliest ancestors evolve into one of the most successful species on Earth? An extraordinary journey tracing the footsteps of early hominids. Using the latest paleoanthropological findings mixed with the latest CGI from Square Enix, this story is finally told.

The Rostom is an overnight shelter for the homeless, located on the outskirts of Bologna. It appears like a ghostly moon base in the middle of the countryside, where beams of neon light draw the profiles of insomniacs, who in the middle of the night get up and go out for a smoke or a chat. Weaving the threads of their stories is David, an Englishman who has been wandering the world for seven years and has landed at Rostom exhausted and eager to get back on his feet and tell his story

Cars affect our primary senses on all levels, they define our world and change our contemporary society. Our tastes have changed: drive-in food, that was once at most a monthly family treat has now become an essential daily ritual in our fast-paced, consumer society. We barely notice the smell of exhaust fumes but more and more people are getting sick from atmospheric pollution. Our cities are now designed in function of cars, changing what we see and our perception of the world we live in. The film seeks to question the car myth, something that is deeply rooted in our consumer society. A group of primary school's kids guide the spectators in a journey into our imaginary. Using automotive archives and through the involvement in a dynamic way of scientists, engineers, anthropologist and racing drivers, the film explores how the car has changed not only the cities we live in but also our lives.