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A very genuine and honest feeling film, It felt very natural even if uncomfortable in places. A slender plot but that wasn’t the point. The point was human interest, the characterisation and the vulnerability, strength and resilience of Marina in what was a very emotional story for her. Simply and convincingly delivered by the captivating performances of Reyes and particularly Daniela Vega who took this film to a higher plane. Lelio’s direction is beautiful, tenderly and sensitively executed. 8/10
Without being in the least graphic nor particularly violent, this is still quite a harrowing watch. It’s all centred on the story of “Marina” (Daniela Vega). She’s a trans nightclub performer who just happens to be in a loving relationship with the older, and wealthier, “Orlando” (Francisco Reyes). They have a night of rough and tumble after celebrating her birthday but it turns out that his ticker isn’t so great and she ends up having to rush him to the hospital. Once there, the expected tragedy strikes them but believe it or not, that is just the start of her problems as the police begin to probe and question her explanation of events whilst his family take a view that she can just go to hell. Gradually, as she becomes more and more exposed to the thoughtless cruelty and loneliness - not to mention her own feelings of grief and despair - we begin to share in her hopelessness. There’s not so much original about the plot here, it’s a story that has been told in various guises many times before, but the effort from Vega is borderline visceral as her character finds herself almost under siege from an array of people she didn’t know but who chose not to believe that she could ever have loved “Orlando” or been loved by him in return. It’s a pretty scathing indictment of societal attitudes to trans people, certainly, but it’s also fairly brutal to those where there is an age gap, a wealth gap, indeed just about anyone who doesn’t conform to the norms. The police, here, are especially vicious but that’s due, as much as anything, to their unsympathetic indifference to her own plight. The production is not the best, it has to be said, and neither the editing nor the camerawork are anyone’s finest work, but the story has a truth to it that’s touching, infuriating and worth a watch.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.
The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.
In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
Mikaela has undergone gender reassignment and is now a woman. One night at a bar, she meets a guy and takes him back to her place.
Story about about a young man who was raised in an orphanage. Kauko goes to Helsinki to work as a store help. The living the big city is not so easy as Kauko expects and not so grand.
An average, everyday metalworker and volunteer firefighter content in his marriage to his childhood sweetheart finds his emotions unexpectedly stirred when he falls for a pretty waitress from a nearby town.
