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Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
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Severance - (Mar 7th)
Surface - (Mar 7th)
The Pitt - (Mar 7th)
9-1-1 - (Mar 7th)
Happys Place - (Mar 7th)
The Undercover Police Scandal- Love and Lies Exposed - (Mar 7th)
Inside the Tower of London - (Mar 7th)
Tales from the Riverbank - (Mar 7th)
The Beat with Ari Melber - (Mar 7th)
Greys Anatomy - (Mar 7th)
Elsbeth - (Mar 7th)
Ghosts - (Mar 6th)
The Bold and the Beautiful - (Mar 6th)
The Young and the Restless - (Mar 6th)
Deadline- White House - (Mar 6th)
The Apprentice - (Mar 6th)
Katy Tur Reports - (Mar 6th)
Chris Jansing Reports - (Mar 6th)
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The Z-Suite - (Mar 6th)
A very genuine and honest feeling film, It felt very natural even if uncomfortable in places. A slender plot but that wasn’t the point. The point was human interest, the characterisation and the vulnerability, strength and resilience of Marina in what was a very emotional story for her. Simply and convincingly delivered by the captivating performances of Reyes and particularly Daniela Vega who took this film to a higher plane. Lelio’s direction is beautiful, tenderly and sensitively executed. 8/10
Without being in the least graphic nor particularly violent, this is still quite a harrowing watch. It’s all centred on the story of “Marina” (Daniela Vega). She’s a trans nightclub performer who just happens to be in a loving relationship with the older, and wealthier, “Orlando” (Francisco Reyes). They have a night of rough and tumble after celebrating her birthday but it turns out that his ticker isn’t so great and she ends up having to rush him to the hospital. Once there, the expected tragedy strikes them but believe it or not, that is just the start of her problems as the police begin to probe and question her explanation of events whilst his family take a view that she can just go to hell. Gradually, as she becomes more and more exposed to the thoughtless cruelty and loneliness - not to mention her own feelings of grief and despair - we begin to share in her hopelessness. There’s not so much original about the plot here, it’s a story that has been told in various guises many times before, but the effort from Vega is borderline visceral as her character finds herself almost under siege from an array of people she didn’t know but who chose not to believe that she could ever have loved “Orlando” or been loved by him in return. It’s a pretty scathing indictment of societal attitudes to trans people, certainly, but it’s also fairly brutal to those where there is an age gap, a wealth gap, indeed just about anyone who doesn’t conform to the norms. The police, here, are especially vicious but that’s due, as much as anything, to their unsympathetic indifference to her own plight. The production is not the best, it has to be said, and neither the editing nor the camerawork are anyone’s finest work, but the story has a truth to it that’s touching, infuriating and worth a watch.
In Kentucky, a transgender woman and her best male friend lament the lack of eligible partners and step across old boundaries of love and romance.
A coming-of-age story centered around a small-town singer brokenhearted by the death of her brother in a car crash, who had secretly submitted her for a summer session at a performing arts academy in Los Angeles. In the academy, she experiences a whole new way of life in the big city, far from the small town lifestyle she's used to.
Kate and her brutish boyfriend Big Al sell handguns on the streets of New York. She's smart, stylish, and self-confident, but all that leaves her when Al, in a jealous and self-indulgent rage, beats her. Three friends encourage her recovery: Vic, a woman who would like to be Kate's lover; Reilly, who runs with Al but also is attracted to Kate and repulsed by Al's violence; and, Liz, the counselor assigned to Kate from a battered-women's program. Vic and Reilly talk about killing Al, Liz gives pep talks; Kate remains frightened. Will Al's menace and Kate's dependency hold sway?
In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.
In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
When a lively young family moves in next door, grumpy widower Otto Anderson meets his match in a quick-witted, pregnant woman named Marisol, leading to an unlikely friendship that turns his world upside down.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.