War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
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Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
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The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
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Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
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The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
I know this gets VERY maligned these days as one of the very worst winners ever of the Best Picture Oscar, especially considering 'The Front Page' was the definitive best of those nominated that year, at the 4th Academy Awards ceremony (and that great films such as 'City Lights', 'Morocco' and 'Frankenstein' didn't even get nominated), but if you can take away Richard Dix's horrible overacting (I can't believe he was even nominated for Best Actor that year!) and uneven, sometimes lethargic or indifferent pacing and direction, certain scenes really pack a wallop, I'm glad that I watched it, and it's certainly not the worst Best Picture Oscar-winner I have seen thus far (that would probably be 'Shakespeare in Love', if I recall correctly, but I would love to watch all of them, just to be sure), and in some ways, I even tend to prefer it to the 1960 remake by Anthony Mann, even though I adore films I have seen that he's directed (although I'm not the biggest Glenn Ford fan in the world, so that probably evens things out). Irene Dunne is a delight, as always. Though it certainly could have used a better editor (a good 30-40 minutes could have been sliced off, and no one would be the wiser), it certainly deserves at least one watch, especially if you're a history buff and want to see a decent depiction of how the Midwest was won.
Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainview's motives and intentions, starting a slow-burning feud that threatens both their lives.
On a trip to the beach, a teenage girl named Tobe meets a charismatic stranger named Harlan, who dresses like a cowboy and claims to be a former ranch hand. The pair feel an instant attraction and begin a relationship, but her father, a lawman, is suspicious of her lover.
New York City tenement dwelling neighbors Blondie and Lottie are longtime best friends. When Lottie makes the cast of the Follies and moves up in the world, she arranges for Blondie, as well, to join the cast and gain the advantages. But the friendship goes awry when Lottie's sweetheart, wealthy Larry Belmont, falls for Blondie and she for him.
A Depression-downtrodden waif uses her brains instead of her body to rise from tyro con artist to crime boss.
The neighbors of a frontier family turn on them when it is suspected that their beloved adopted daughter was stolen from the Kiowa tribe.
A professor tires of the direction his life is going and wants to move west, but his girlfriend doesn't understand why he is so dissatisfied.
Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide.
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncle’s farm, and joins them the next day as they head for California and a new life... Hopefully.