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Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Reacher - (Feb 20th)
Zero Day - (Feb 20th)
INVINCIBLE - (Feb 20th)
Harley Quinn - (Feb 20th)
Dark Side of the Cage - (Feb 20th)
Cage Rage! Lady in a Cage is directed by Walter Grauman and written by Luther Davis. It stars Olivia de Havilland, Jeff Corey, James Caan, Ann Sothern, Jennifer Billingsley and Rafael Campos. Music is by Paul Glass and cinematography by Lee Garmes. If you trawl for reviews of this film you will find pretty much all the cinematic words used to describe a non big budgeted mainstream film that many love. Re: Cult, Camp, Schlock and etc, what ultimately transpires with Lady in a Cage is a film that everybody should understand why some love and some hate it. One film lovers camp schlocky classic is another one's irritatingly over acted bore. I'm close to being in the latter camp. It start off so well, the Paramount logo in cage stripes, a jarring score, a dead dog in the road and superb opening credits that segue into in your face fast cuts. Then story pitches wealthy Cornelia Hilyard as being trapped in a elevator cage in her home (she's recovering from a broken hip see), being all alone she's forced to use the alarm system, which brings into play unsavoury and unstable characters to blight and torment home and woman both. The big message beating at the pic's black heart is so heavily handled by the makers it ends up boorish, rendering shock factor as zero. Come the mid-point the overacting on show by all - including the once magnificent de Havilland - is almost unwatchable. In fact much of it ends up being laughable, so as one is meant to feel repulsion at the stink infecting the human race, one is instead pondering the implausibilities of it all. There's a scene where Cornelia should simply push her chief tormentor out of the cage, but no!, the over cooked screenplay wants to cram in a load more daft human foibles before reaching its finale. We even have a case where two characters in the play, one a key player in proceedings, don't have their fates revealed. Not in a crafty cliffhanger way, but in a lazy forgetful piece of hackdom. You have to say its effective because it draws you in with its unpleasantness - both as an observation on the human condition and as poor film making - so much so you have to stay with it to the end. Perhaps that is job done, then? But really it's one that this viewer personally could not recommend at all. 5/10
After a twenty-year stay at an asylum for a double murder, a mother returns to her estranged daughter where suspicions arise about her behavior.
A woman is haunted by recurring nightmares, which seem to be instigated by her late husband who supposedly was killed in a fire.
Adapted from Nikos Foskolos’ theatrical play. On a terribly stormy night, in a secluded hotel, the owner, Brigadier Norton, is murdered. Prime suspects: his daughter Elena, his second wife Liza, Liza’s niece and her fiancé, Norton’s physician, and the hotel staff. Inspector Fox and his assistant, policeman Petridis, are assigned the investigation of the crime. While the suspects’ questioning is under way, some more people arrive at the hotel: detective Tilemachos Christofis with his assistant Aliki, and lieutenant Karalis, a sworn enemy of the victim, complicating things even more.
When she takes up her new post at an eerie convalescent home deep in the French countryside, nurse Martine soon discovers that several missing co-workers may have fallen prey to an unspeakable evil rumored to roam the hallways at night. But as Martine looks deeper into the mystery, she suspects the home's aged residents know more about the menace than they let on.
A warlock burned at the stake comes back and takes over the body of his great grandson to take his revenge on the descendents of the villages that burned him.
Reclusive Dr. Zorba has died and left his mansion to his nephew Cyrus and his family. They will need to search the house to find the doctor's fortune, but along with the property they have also inherited the occultist's collection of 13 ghosts.
Grace is a religious woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.
Desperate for companionship, the repressed Willard befriends a group of rats that inhabit his late father's deteriorating mansion. In these furry creatures, Willard finds temporary refuge from daily abuse at the hands of his bedridden mother and his father's old partner, Frank. Soon it becomes clear that the brood of rodents is ready and willing to exact a vicious, deadly revenge on anyone who dares to bully their sensitive new master.
A reclusive novelist struggles to find romance and meaning in his life despite disastrous and comedic circumstances.
Set in 1934 Siam, the story involves a young pregnant woman named Nualchan who's searching for her missing husband. She comes to stay in the spooky rural mansion of a widow, Runjuan.