Die große Abenteuerin

A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

Harry and Willie are scammed into buying the Thomas Edison studio lot by a man named Gorman. They decide to follow Gorman's trail to Hollywood where, unbeknownst to them, he has taken the identity of a foreign film director. The lads wind up as stunt doubles in film the which Gorman is now shooting, while the conman tries to have the bungling pair done away with before they realize who he really is.

Experimental silent homage to the origins of cinema, recreating the apparent disappearance of a French photographer in the 1920s.

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

Re-make of Cafe Brawl (1897). It is the only version that has not been lost.

Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.

Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.

A petty thief (Clive Brook) just robs the very rich at speakeasies, and gets away with it because the rich don't want the bad publicity, finally is caught and sent to Sing Sing. After good behavior, he gets an emergency permission for a return home, so that he may save his daughter from the hands of her disreputable mother (Baclanova). However, he must first promise not to kill his wife while he is out of prison.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

Mo Geum-san is a barber living in the rural area, who once aspired to be an actor. He starts to have doubts about his humdrum life after the village health center advises him to be examined at a larger hospital. He comes up with a plan to give a gift to his beloved ones in the coming Christmas. The plan is to invite everyone to the local culture center and to screen his self-made comedy movie based on his own tragic life.