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_**Weird desert-survival 60's Western with Jack Nicholson & Warren Oates**_ "The Shooting" is an offbeat 1966 Western directed by Monte Hellman and written by Carole Eastman (using the pseudonym "Adrien Joyce"). The story involves two men (Warren Oates and Will Hutchins) who are hired by a mysterious woman (Millie Perkins) to accompany her to a town located many miles across the Utah desert. During their journey they are tracked and joined by a mysterious black-clad gunslinger (Jack Nicholson) who is known by the woman. This early Nicholson vehicle is worthwhile if you have a taste for out-of-the-ordinary films. Millie Perkins is fetching and Will Hutchins is a convincing youngster sidekick while Oates is a good every-man protagonist and Nicholson just oozes quiet antagonism. It's easy too see how the 'kid' would be infatuated by the cutie, despite her dubiousness, but it's even easier to understand Willet's grave suspicions. The movie is also a must for anyone who likes lost-in-the-desert flicks. While the ending seems nonsensical, the answers are there, if you look closely and chew on the details... ***SPOILER ALERT*** (Don't read this paragraph unless you've seen the film). As the story progresses it becomes clear that the woman is hunting Oates' brother who apparently killed a child or a midget, likely the woman's child, close friend or relative. When they finally catch up to him at the very end we discover that the supposed murderer is Willet's TWIN brother who looks exactly like him, which explains his name, Coin (as in, 'the other side of the coin'). Since this is so, why didn't the woman assume Willett (Oates) was the person who killed her child since he looks exactly like the one who did, Coin? Obviously she was informed that Coin had a twin brother living near the town and she felt he would be the best person to track the culprit. In any case, the twin brothers represent the duality of human nature: Willet symbolizes the good and positive side whereas Coin embodies the more destructive aspects of our nature. As such, the Gashade brothers symbolize the two converging sides of the existential coin pertaining to the human experience which come together with catastrophic results at the climax. ***END SPOILER*** Bottom line: "The Shooting" is a worthy bare-bones independent 60's Western with occasional flashes of surrealism and brilliance, as well as a lot of humdrum mundaneness (so be prepared for some slow, dull stretches). It's less straightforward than its sister film "Ride in the Whirlwind," which was made just before this one and on the same (or nearby) locations. Some have called it the first "acid Western" but I wouldn't go that far. It has some weird touches, but not too weird. The film runs 82 minutes and was shot in Kanab, Utah. GRADE: B/B-
Gunslinger Jonah Hex is appointed by President Ulysses Grant to track down terrorist Quentin Turnbull, a former Confederate officer determined on unleashing hell on earth. Jonah not only secures freedom by accepting this task, he also gets revenge on the man who slayed his wife and child.
A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.
Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.
Matías and Jerónimo know each other since they were just kids. Their friendship is a mix of fun and desire, but everything changes the night they go to the carnival and they see how a group of thugs beat a gay performer behind the scene.
A gunfighting stranger comes to the small settlement of Lago. After gunning down three gunmen who tried to kill him, the townsfolk decide to hire the Stranger to hold off three outlaws who are on their way.
When a wandering mercenary named Hogan rescues a nun called Sister Sara from the unwanted attentions of a band of rogues on the Mexican plains, he has no idea what he has let himself in for. Their chance encounter results in the blowing up of a train and a French garrison, as well as igniting a spark between them that survives a shocking discovery.
Three years have passed since Elling moved to town together with Kjell Bjarne, his roommate from the institution at Brøynes. Elling now lives on his own in the apartment. Kjell Bjarne has moved up one floor, to Reidun and her little daughter Mojo. Elling feels like an outsider, and he isolates himself more and more. He observes humankind with astonishment, and wonders at how everyone else seems to be adjusting so well. Finally, Kjell Bjarne takes care of the situation. Elling protests, but he is still pretty happy as he is transformed into a new man, clean, fully rested and well dressed. Deep inside, he also knows what's lacking, and one evening he finally finds the woman he knows is able to fill the void in his life. He's willing to do anything to win her trust and conquer her love. But when he is invited home to his new girlfriend for dinner, a few objections appear to Elling, and the story doesn't end quite the way he had thought it would.
Three years after Mike bowed out of the stripper life at the top of his game, he and the remaining Kings of Tampa hit the road to Myrtle Beach to put on one last blow-out performance.
Itinerant projection-equipment repairman Bruno Winter and depressed hitchhiker Robert Lander - a doctor who has just been through a break-up with his wife and a half-hearted suicide attempt - travel along the Western side of the East-German border in a repair truck, visiting worn-out movie theaters, learning to communicate across their differences.
In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.
At a sizable public college, high-minded student Eddy is forced to room with the slovenly Stuart, but the pair strike up a surprising friendship. When attractive co-ed Alex is assigned to live with the two male students because of her gender-neutral name, a roundabout love triangle ensues. Eddy secretly yearns for Stuart, who wants Alex, but she prefers Eddy. The complex situation leads to sexual experimentation and strained relationships.