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_**Alexander’s conquests from Greece through the Persian Empire**_ After being tutored by Aristotle (Barry Jones), Alexander (Richard Burton) takes over the Macedonian throne in 336 BC at the age of 20 after his father is assassinated (Fredric March). Over the next 13 years he, amazingly, conquers the Persian Empire and heads into India before finally turning back. Claire Bloom plays Alexander’s mother while Peter Cushing appears as General Memnon, who defects to Persia. Teresa del Río is on hand as Alexander’s wife acquired in Bactria. “Alexander the Great” (1956) debuted 48 years before Oliver Stone’s 2004 rendition. It’s better than what I expected for such an old, obscure film, but not great like, say, “Ben-Hur” (1959) mainly because the brooding story is more tedious than compelling. There’s a lot of Shakespearean posing and talking, which will turn off some viewers. However, I like the doomy, heavy air, which is augmented by the score (that no doubt inspired doom metal bands fifteen years later), as well as Burton’s forceful presence (people claim that he was too old for the part, but not really since he was 30 during shooting and the real Alexander died one month shy of 33). I expected the ambiance to be lusher, yet the colors are surprisingly muted. This one spends so much time in Greece/Macedonia to the point that the conquest of the Persian Empire seems like an afterthought and India is barely mentioned (if at all). Nevertheless, there’s enough to appreciate here for those interested in the topic. Speaking of which, I suggest reading up on Alexander a little bit before viewing so you can grasp the main characters and the basics of what’s going on. I also suggest watching the 2004 version and comparing the two. The film runs 2 hours, 16 minutes, and was shot entirely in Spain. GRADE: B-
This is essentially a story all of it's own. Though history forms the basis of the subject, Richard Burton's depiction strays quite wilfully from any of the more established legends that are Alexander of Macedonia - or it just chooses to create a completely new one. Frederic March is good as his borderline megalomanic father Philip. with whom Alexander has a love/hate relationship as is Danielle Darrieux - his glamorous, and equally enigmatic mother Olympias who is constantly filling her son's head with tales of his divine origins. The tale leads us on a colourful adventure through his life without much subtlety, artistry or style - indeed Burton is pretty wooden throughout. To be fair, he has little by way of good dialogue to work with and although the assembled cast is impressive, they rarely work together well enough to create anything like a sense of peril, achievement or anything much, really - with Stanley Baker and Clare Bloom as the Persian Princess Barsine proving to be casting at it's most curious. As you'd expect, the budget wasn't meagre and the craft elements are stunningly produced; costumes, scenery and the battle scenes are all staged well with plenty of action. It's far too long however, and the chances to develop the more historically interesting facets of their characterisations are pretty much all missed. Just goes to show that money isn't everything...
In 1965 Alabama, an 11 year old girl is touched by a speech by Martin Luther King, Jr. and becomes a devout follower. But her resolution is tested when she joins others in the famed march from Selma to Montgomery.
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees – and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.
A dramatisation of the workers' protests in June 1976 in Radom, seen from the perspective of the local Secretary of the Polish United Workers' Party. [Produced in 1981, but not commercially released until 1996.]
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Based on one of the major literary texts survived from the Middle Kingdom, the classical period of Egyptian literature, The Eloquent Peasant is a combination of a morality/folk tale and a poem. The events are set between 2160 and 2025 BC. When the peasant Khun-anup and his donkey stumble upon the lands of the noble Rensi, the peasant’s goods are confiscated and he’s unjustly accused of theft. The peasant petitions Rensi who is so taken by the peasant’s eloquence that he report his astonishing discovery to the king. The king realises the peasant has been wronged but delays judgement so as to he can hear more of his eloquence. The peasant makes a total of nine petitions until finally, his goods are returned.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.