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_**Alexander’s conquests from Greece through the Persian Empire**_ After being tutored by Aristotle (Barry Jones), Alexander (Richard Burton) takes over the Macedonian throne in 336 BC at the age of 20 after his father is assassinated (Fredric March). Over the next 13 years he, amazingly, conquers the Persian Empire and heads into India before finally turning back. Claire Bloom plays Alexander’s mother while Peter Cushing appears as General Memnon, who defects to Persia. Teresa del Río is on hand as Alexander’s wife acquired in Bactria. “Alexander the Great” (1956) debuted 48 years before Oliver Stone’s 2004 rendition. It’s better than what I expected for such an old, obscure film, but not great like, say, “Ben-Hur” (1959) mainly because the brooding story is more tedious than compelling. There’s a lot of Shakespearean posing and talking, which will turn off some viewers. However, I like the doomy, heavy air, which is augmented by the score (that no doubt inspired doom metal bands fifteen years later), as well as Burton’s forceful presence (people claim that he was too old for the part, but not really since he was 30 during shooting and the real Alexander died one month shy of 33). I expected the ambiance to be lusher, yet the colors are surprisingly muted. This one spends so much time in Greece/Macedonia to the point that the conquest of the Persian Empire seems like an afterthought and India is barely mentioned (if at all). Nevertheless, there’s enough to appreciate here for those interested in the topic. Speaking of which, I suggest reading up on Alexander a little bit before viewing so you can grasp the main characters and the basics of what’s going on. I also suggest watching the 2004 version and comparing the two. The film runs 2 hours, 16 minutes, and was shot entirely in Spain. GRADE: B-
This is essentially a story all of it's own. Though history forms the basis of the subject, Richard Burton's depiction strays quite wilfully from any of the more established legends that are Alexander of Macedonia - or it just chooses to create a completely new one. Frederic March is good as his borderline megalomanic father Philip. with whom Alexander has a love/hate relationship as is Danielle Darrieux - his glamorous, and equally enigmatic mother Olympias who is constantly filling her son's head with tales of his divine origins. The tale leads us on a colourful adventure through his life without much subtlety, artistry or style - indeed Burton is pretty wooden throughout. To be fair, he has little by way of good dialogue to work with and although the assembled cast is impressive, they rarely work together well enough to create anything like a sense of peril, achievement or anything much, really - with Stanley Baker and Clare Bloom as the Persian Princess Barsine proving to be casting at it's most curious. As you'd expect, the budget wasn't meagre and the craft elements are stunningly produced; costumes, scenery and the battle scenes are all staged well with plenty of action. It's far too long however, and the chances to develop the more historically interesting facets of their characterisations are pretty much all missed. Just goes to show that money isn't everything...
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
As Garibaldi's troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life. Proud but pragmatic Prince Don Fabrizio Salina allows his war hero nephew, Tancredi, to marry Angelica, the beautiful daughter of gauche, bourgeois Don Calogero, in order to maintain the family's accustomed level of comfort and political clout.
Set in the South just after the US Civil War, Laurel Sommersby is just managing to work the farm without her husband, believed killed in battle. By all accounts, Jack Sommersby was not a pleasant man, thus when he suddenly returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart.
Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he's been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.
Based on Frank Miller's graphic novel, "300" is very loosely based the 480 B.C. Battle of Thermopylae, where the King of Sparta led his army against the advancing Persians; the battle is said to have inspired all of Greece to band together against the Persians, and helped usher in the world's first democracy.
Jae-Young is an amateur prostitute who sleeps with men while her best friend Yeo-Jin "manages" her, fixing dates, taking care of the money, and making sure the coast is clear. When Jae-Young falls in love with one of those men, she suppresses her feelings towards him in respect of her friend who's jealous.
Based on the official transcripts of the investigation that followed after the very suspicious notorious death in prison of one of the most important leading men of the South African anti-apartheid movement, Steven Biko.
The story of an idealist's rise to power in the world of Louisiana politics and the corruption that leads to his ultimate downfall. Based on the 1946 Pulitzer Prize-winning novel written by Robert Penn Warren, loosely based on the story of real-life politician Huey Long.
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
In his homeland of Alagaesia, a farm boy happens upon a dragon's egg - a discovery that leads him on a predestined journey where he realized he's the one person who can defend his home against an evil king.
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.