La ingenua, la lesbiana y el travesti

A discount store clerk strikes up an affair with a stock boy who considers himself the incarnation of Holden Caulfield.

"To Protect and Serve" takes on a whole new meaning when the Vice Academy girls are on the case. Candy and her new partner Samantha are back in an all new wild adventure! The wicked nymphomaniac, Malathion, has broken out of prison again and is on the rampage. The vice girls must bust her before she can seduce the Commissioner and destroy his wedding plans. Malathion, with the help of her new boy-toy, wreaks havoc and sexual hi-jinks as only she knows how. Will Candy and Samantha be triumphant, or will Malathion succeed with her dastardly plot?

Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he stands back from commitment. His mother's Spanish flamenco teacher, Lola, moves in with them for Christmas. On New Year's Eve, while his mother is away, Hlynur finds out Lola is a lesbian, but also ends up having sex with her. He soon finds out he and his mother are sharing more than a house. Eventually he must find out where he fits into the puzzle, and how to live life less selfishly.

School's over – and for brand-new high-school graduates Ben, Felix and Nick, it's time to party! But when Ben embarrasses himself in public trying to declare his love for the gorgeous Carola, he and his pals make a quick exit by taking jobs as hosts in a vacation club on Ibiza, the Mediterranean hot spot for oversexed boys and underdressed girls! Instead of sun, sea and sex, however, it's work, work and more work, as the three are kept busy around the clock by their sadistic boss Anna. And when Ben bumps into Carola and her super-cool DJ boyfriend, Ibiza starts feeling more like Alcatraz by the minute. Yet even as the mishaps pile up and the boys have to cope with stinging jellyfish, English hooligans and tequila hangovers, they refuse to give up their plan to throw the ultimate Ibiza party for the club, and especially for Carola. Summer is short, but these guys are going to make sure everyone remembers this one for a long time!

Five twenty-something friends spend a drug-fueled weekend in Cardiff, Wales.

Nadia is a social worker who is trying to keep the residents of a local slum in line. Unfortunately she keeps neglecting her work and fantasizing about a life as a pop-star. When she falls for one of the residents in question, a small time crook called Bel Ami, she ends up an accomplice in a convoluted heist involving a holy Catholic relic.

Poppea's Hot Nights (Italian: Le calde notti di Poppea) is a 1969 Italian comedy film set in Ancient Rome. It was written and directed by Guido Malatesta and stars Olga Schoberová (credited as Olinka Berova) and Brad Harris in the main roles.

After eight years apart, three childhood friends - Lucy, Kit, and Mimi - rediscover their friendship on a cross-country trip. With barely a plan, practically no money but plenty of dreams, the girls catch a lift with Mimi's handsome friend Ben in his convertible. Along the way they not only gather experiences that will change their lives, but they also discover how important it is to hold onto their hearts' desires.

An old western town is populated entirely by cute young Catholic schoolgirls and shotgun toting nuns who have killed off the entire male population, the nuns teach their female students that all men are evil. The girls are championed by a superhero named "Panty Mask" who shows up wearing a leather bikini and a pair of leather girls' underwear on her face. The nuns worship an ice carving of Christ which has the ability to make their soft drinks cold (which they don't share with the students).

Two young women and their friends spend spare time at an exclusive nightclub in 1980s New York.

Sex is a background to examine intimacy and vulnerability. Looks at the complexity of modern day relationships told through eight separate couples. Through dialogue and compromising situations, the film takes us from the beginning of a relationship to the aftermath of one, and examines every stage in between seeing humor within the drama, heartache and confusion of it all.