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_**Odd and bewildering mixed-genre flick with Price, Lee & Cushing at least entertains**_ A so-called “vampire serial killer” is on the loose in London (Michael Gothard) and a loose connection is made to the mysterious clinic of Dr. Browning (Vincent Price). A curious young doctor eventually pursues this lead for answers (Christopher Matthews). The impressive cast also includes the likes of Christopher Lee, Marshall Jones, Alfred Marks and Peter Cushing in a glorified cameo. “Scream and Scream Again” (1970) is a London-based crime/drama and political thriller with a bit o’ sci-fi/horror. It meshes superhuman vampiric killers with Nazi-like militarists and Frankenstein-ian doctors. It’s a mix of the contemporaneous “The Tormentors” (with a WAY bigger budget) and the later “The Formula” (1980) with the Frankenstein element of “The X-Files: I Want to Believe” (2008). (I realize the latter two came much later; I’m just giving potential viewers an idea of what to expect with this oddity). The female cast is decent with Judy Huxtable (Sylvia), Judy Bloom (cop), Yutte Stensgaard (Erika) and Uta Levka (nurse). Christopher Wicking’s script eliminates a key revelation of Peter Saxon’s book (“The Disorientated Man”), which makes the story more mundane and political, which I favor. But the conflicting subplot involving the fictional Eastern European Communistic country could’ve easily been removed altogether, making the story less confusing and more streamlined. It’s like trying to cram a war story into a crime thriller/horror flick. The movie runs 1 hour, 35 minutes, and was shot in London and Surrey County, which is just south of the city. GRADE: B-/C+
I initially thought that this might be a sequel to a "Scream and Scream" but no - this is just quite a messy production that doesn't really make very good use of the three more genre-established actors at it's disposal. It all follows the investigations of "Insp. Bellaver" (Alfred Marks) who is on the trail of an exsanguinator terrorising London's women. After an entrapment effort that does distinctly awry, that trail leads the police to the home of "Browning" (Vincent Price) whose scientific experiments involve a great vat of acid. Meantime, there is a parallel story going on somewhere in totalitarian Eastern Europe surrounding the activities of the ambitious "Konratz" (Marshall Jones) who is quite successfully murdering his way up the greasy pole - and that's where Peter Cushing (briefly) and Christopher Lee ("Fremont") make their appearances in this meandering and frankly disappointing film. There are a few moments to liven it up: you can rarely go wrong with a decent car chase, but the stars I tuned in to watch feature all to intermittently, and those that do have little to bring to a story that could easily have been condensed into a forty five minute "Tales of the Unexpected". Sorry, but not much to see here.
Peter Parker is going through a major identity crisis. Burned out from being Spider-Man, he decides to shelve his superhero alter ego, which leaves the city suffering in the wake of carnage left by the evil Doc Ock. In the meantime, Parker still can't act on his feelings for Mary Jane Watson, a girl he's loved since childhood. A certain anger begins to brew in his best friend Harry Osborn as well...
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.
If you were a brilliant young scientist diagnosed with only months to live, what choices would you make? To have faith that you were taken early for a reason and go quietly, or to use cryogenics to hope you could be cured someday in the future, or to download your consciousness into computer memory where you could still continue to interact with the ones you love?
Brought back to life by an unorthodox scientist, a young woman runs off with a lawyer on a whirlwind adventure across the continents. Free from the prejudices of her times, she grows steadfast in her purpose to stand for equality and liberation.
Five friends arrive at a party, fully unaware that the special night is just a cover for an evening of torture and murder.
Specialists gather in a top-secret facility to investigate a series of strange deaths on beaches along the Atlantic Ocean. One of the team's scientists examines video evidence to uncover a possible parasitic explanation for the fatalities. But when a determined detective sends her the crazed writings of a mysterious homeless man, the scientist slowly learns that the actual threat may be more dangerous - and far older - than anyone ever imagined. Can she convince her colleagues of the true danger before an ancient force rises from the sea to bring madness and death to all of humanity?
A scientist readies a boat after his warnings of an Earth-destroying flood are ignored. However, after the disasters reach a peak level of destruction those who maligned the scientist now turn to him in desperation, as he and other refugees look to save the world and stop the disaster using the two Supercolliders on opposite sides of the Atlantic.
A portion of the tail of a prehistoric reptile is discovered in Denmark. It regenerates into the entire reptile, which proceeds to destroy buildings and property and generally make a nuisance of itself. It can fly, swim, and walk, and has impenetrable scales, which makes it difficult to kill.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Ilsa, a warden at a Nazi death camp that conducts experiments on prisoners, strives to prove that women can withstand more pain and suffering than men, and therefore should be allowed to fight on the frontlines.