지원병

Narumi is on bad terms with her husband, Shinji, when, one day, Shinji goes missing. He comes back a couple of days later, but he seems like a totally different person, and he is now gentle and tender. He goes for a walk every day. Meanwhile, journalist Sakurai covers the story of a family that was brutally murdered, when an unexplained phenomenon takes place. Shinji Kase tells his wife that he came to Earth to invade.

A room in a fancy downtown apartment. The evening orgy kicks off with eight men and women meeting for the first time, including an unemployed guy who pays the 20,000 yen party fee with money from his parents, and a female college student whose run-of-the-mill appearance hides a voracious sexual appetite.

An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.

Director Quentin Tarantino tasked Eli Roth to craft a mini-movie called Stolz der Nation (Nation's Pride) that will be included in the theatrical cut of Inglourious Basterds. To help promote Inglourious Basterds via the film-within-a-film, Roth has slapped together a trailer for Nation's Pride blending black and white photography with modern multi-layered camera effects.

A surprising and humanistic drama that questions the meaning of happiness through the strange fate of one man who caused an accident. One night, a taciturn and clumsy man working at a scrap iron factory in the suburbs of Tokyo, causes an irreparable accident with his colleague. The two try to hide the incident but the man’s fate takes a turn for the worse and his colleague and family are faced with threats to their survival. A psychologial thriller that reveals the ills of Japanese society along with the darknesses of the human heart based on a script full of surprises written by the director Dai Sakō. Tomomitsu Adachi, who plays the lead role, exudes an eerie charm, and is flanked by many of Japan's best supporting actors such as Yutaka Matsushige and Shohei Uno.

During World War 2, Jewish men were forced to box for Nazi Entertainment. The winner got extra food, the loser went to the gas chambers. Based on true events, a Jewish American Olympian and his family struggle for survival in the midst of the Holocaust.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

A sickly scrawny man in a striped uniform takes a shaving brush and foam, and with a sharp blade, he shaves the back of the head of Rudolf Höss, the commandant of the Auschwitz camp himself. They will never speak with one another, and Joseph (we only learn his name during the credits) will never harm Höss, will not stop the flood of horrible murders with yet another murder. This short sketch about life of a death camp makes us feel pain and grief of millions of people who had passed beyond the walls of the shaving room during the imprisonment of Joseph, the man who outlived his torturer.

A young girl becomes the great love of the Nazi leader's life. It spans the years between 1929 and 1945, and focuses on Hitler's obsessive relationship with his niece Geli Raubal, which eventually led to the girl's suicide, then goes on to tell the story of how Eva Braun became his wife.

Free-spirited writer Juliet Ashton forms a life-changing bond with the delightful and eccentric Guernsey Literary and Potato Peel Pie Society, when she decides to write about the book club they formed during the occupation of Guernsey in WWII.