War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
If _Bohemian Rhapsody_ is so great, why was the best part of it Tom Hollander saying a single word? Don't get me wrong, Rami Malek deserves props for the role, that much is true (less perhaps than he's been getting, but still, props). But beyond that, _Bohemian Rhapsody_ is bland, choppy, arguably even offensive. There **might** be some value in one of those sing-along type deals if you can get enough Queen fans together for one, but I'll never know, because I have no interest in re-watching this. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
If _Bohemian Rhapsody_ is so great, why was the best part of it Tom Hollander saying a single word? Don't get me wrong, Rami Malek deserves props for the role, that much is true (less perhaps than he's been getting, but still, props). But beyond that, _Bohemian Rhapsody_ is bland, choppy, arguably even offensive. There **might** be some value in one of those sing-along type deals if you can get enough Queen fans together for one, but I'll never know, because I have no interest in re-watching this. Final rating:★★ - Had some things that appeal to me, but a poor finished product.
Bohemian Rhapsody is not a biography of Freddie Mercury, nor a biopic of Queen. It's a story based on a selection of key events occurring between the formation of the band and their appearance at Live Aid. As a Queen fan I found this film utterly engrossing and enjoyable. The acting brilliantly invokes the characters in the band and the music provides a thumping rhythm to carry the story along. Queen aficionados may be affronted by the out of sequence music performances and the highly selective approach to the story telling but if you can see past that, you'll enjoy a storming film with a spine-tingling conclusion as the Live Aid performance is brilliantly recreated.
Rami was beyond superb at bringing the light that was Freddie to life again. I almost couldn't tell the difference. It was so well done. Perfection. I wish all real life bio-pics could be as heartwarming, heartbreaking, and fun as this. We miss and love you Freddie.
I was scared to see this, mainly because most Biopics paint people in an absolutely horrible light and Queen was one of my favorite bands and Freddie one of my favorite rock vocalists. I was ready to rant and rave if it turned out to be a smear campaign of one of my rock heroes. Fortunately it wasn't, it was actually a fair treatment of all of them. And, in fact, it was really generous towards May, but then he wasn't the focus of the film. And the cast actually looked like Queen. So that is a plus. Everyone did a great job and props have to go out to Rami Malek, he would have been great if they gave him actual dialogue. So why the single star? Honestly, it's because of the trailer. As in, if you saw the trailer you pretty much have already seen the movie. Not just the highlights, but the entire movie. Queen was an epic band. Bohemian Rhapsody was an epic song. But Bohemian Rhapsody the movie has absolutely no meat on it. You walk in with high hopes, and the cast is great, but the movie as a whole is a let down. It ends at Live Aid (as it probably should) but even then it doesn't seem anywhere near as epic a finale as it should have been for such a memorable and lauded performance. Ultimately, there should have been more to it.
**A good film about one of the great rock bands of the 20th century.** This is one of those films that was made with the fans of a personality in mind, more than the rest of the public. This, however, is not exactly a problem in my eyes, it is rather a characteristic of this film, common to other biographical films that are centered on very popular figures such as sportsmen, musicians or others. Directed by Bryan Singer, the film covers the journey of the notable rock band “Queen” and its lead singer, Freddie Mercury, who immortalized himself with memorable performances and a sense of stage and spectacle that only big stars possess. Mercury was also notable for being one of the first major superstars to openly embrace his homosexuality and die of AIDS. As a biography, it is a very acceptable film and, as far as I was able to understand, it respects the essential aspects of the lives and artistic path of those concerned. Of course, being a film about a rock band, we cannot ignore the soundtrack, where we have the band's most famous and recognizable songs, and we can see a reenactment of the famous live performance they did at “Live Aid” in 1985, a one of the most acclaimed live musical performances ever in rock history. Obviously, the film was fated to financial success and, without any major surprises, and after weeks of advertising investment, it found great support from the public and became one of the biggest box office successes of that year. Critics also had no major objections and the film arrived at the Oscars as one of the favorites: out of a total of five nominations, it won four statuettes (Best Actor, Best Editing, Best Sound Mixing and Best Sound Editing) losing only for Best Film. In fact, in addition to the good songs and good script, the film offers us one of the best performances by Rami Malek, an actor who couldn't be better suited for the role of Freddie Mercury. In addition to all the physical similarities that he took advantage of to embody the character, he managed to interpret him in a dignified and respectful way, without transforming “his” Freddie into a kind of cheap imitation of the real person. However, as I watched the film, I couldn't help but feel that Malek was the only one in the scene who deserved the spotlight, and that the film lacked an equally good supporting cast that would give some charisma to the remaining band members, transformed into in extras in a story where only Mercury was taken into consideration.
There are plenty of opinions as to how authentic this is, as a retrospective on the life of Freddie Mercury; but there can be no doubting that the pairing of Rami Malek and Queen's music makes this a captivating couple of hours of cinema. We are taken on the compelling and enthralling roller-coaster that was his life and the excesses of his lifestyle and behaviour are comprehensively conveyed without being at all graphic, or even particularly seedy. Malek is simply magnificent. Tom Hollander is also outstanding too. I bet it did wonders for sales of Queen music too - they created one hell of a repertoire.
In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.
The adventures of a group of Texas teens on their last day of school in 1976, centering on student Randall Floyd, who moves easily among stoners, jocks and geeks. Floyd is a star athlete, but he also likes smoking weed, which presents a conundrum when his football coach demands he sign a "no drugs" pledge.
A mentally disturbed man takes residence in a halfway house. His mind gradually slips back into the realm created by his illness, where he replays a key part of his childhood.
Loosely based on the true story of the killing of Kitty Genovese: A young woman's murder is witnessed by fifteen of her neighbors who do nothing to help and refuse to cooperate with the police.
In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.
From the 1960s to the 1980s, evangelist Jim Baker and his ambitious wife, Tammy Faye, rose from humble beginnings to build an empire based on big-time evangelical Christianity-only for the couple to fall from grace because of some all-too-human sins.
Young Augusten Burroughs absorbs experiences that could make for a shocking memoir: the son of an alcoholic father and an unstable mother, he's handed off to his mother's therapist, Dr. Finch, and spends his adolescent years as a member of Finch's bizarre extended family.
The story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life's work.
Huo Yuan Jia became the most famous martial arts fighter in all of China at the turn of the 20th Century. Huo faced personal tragedy but ultimately fought his way out of darkness, defining the true spirit of martial arts and also inspiring his nation. The son of a great fighter who didn't wish for his child to follow in his footsteps, Huo resolves to teach himself how to fight - and win.
Pianist David Helfgott, driven by his father and teachers, has a breakdown. Years later he returns to the piano, to popular if not critical acclaim.
A God-fearing bluesman takes to a wild young woman who, as a victim of childhood sexual abuse, is looking everywhere for love, but never quite finding it.