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**_Bad first half, good second half_** Catherine (Stephanie Beacham) moves to the Fengriffen manor in rural England, 1795, to marry her fiancé Charles (Ian Ogilvy) where she’s immediately fascinated by a portrait of his dead father, Henry (Herbert Lom), as well as harassed by spectral images, including that of a severed hand. Does the loner woodsman (Geoffrey Whitehead) hold the key to why the estate is cursed? Peter Cushing dominates the second half as a doctor of the mind. Amicus’ “And Now the Screaming Starts!” (1973) has a typical plot for British horror of that era, but it lacks finesse in execution, like the curious overuse of the quick zoom on Henry's portrait to suggest a sense of foreboding and the cheesy severed hand that rears its fingers too early. Catherine’s hysterics don’t help. Thankfully, the second half gets compelling with the arrival of Dr. Pope (Cushing) and an interesting flashback to 1745 that explains the weird goings-on. Of course Stephanie was one of the most beautiful women to walk the earth. So this is a tale of two halves: The first half veers toward “What were they thinking?” bad while the second half is quite good. The film runs 1 hour and 31 minutes and was shot at Shepperton Studios, Middlesex, England, with the exteriors of Fengriffen Castle done in Windsor, Berkshire. GRADE: C
Roy Ward Baker has assembled quite a decent cast for this rather daft horror film. Stephanie Beacham is "Catherine" who is to marry the squire of "Fengriffen" (Ian Ogilvy) and so moves into his manor house. Her wedding night certainly doesn't go to plan, though - she discovers that there are ghosts and they are out to enforce a curse put upon the family many years ago. Can they sort out this scourge before it drives her mad or worse, takes her life? This really picks up after about 50 minutes when Peter Cushing ("Dr. Pope") comes onto the scene to help them get to the bottom of it, but otherwise it's all just a rather predictable, cheap and cheerful, horror with lots of squeaking violins to compensate for some mediocre dialogue and acting. The few scenes with Herbert Lom liven it up a bit, and there is fun to be had with the wandering hand, but for the most part it is just really well titled - lots of screaming,
Imagine an insatiable demon that feeds on blood, thrives on pain, and reaches from beyond the grave to torment the living...and the dead. For believers and skeptics alike, there is nothing in this world or the next to rival the relentless evil of a Voodoo Possession. Burdened since childhood with a gnawing sense of guilt, cynical Aiden Chase journeys to a Haitian insane asylum in search of his missing brother. Upon arriving, he discovers all the inmates and the hospital administrator (Danny Trejo, Machete) are seemingly possessed by a bloodthirsty voodoo spirit. Now, Aiden must abandon reality and descend into a terrifying spirit world to try to rescue his brother - or they will both be damned for eternity.
A reporter unearths an urban legend about a home being constructed from rooms where horrific tragedies have occurred.
A family just moved in a new mansion in the suburbs, but weird things happen on and on. The wife sees a dead man’s skull. The son strangely says he sees many people in the living room. Is the house haunted or could there be some other reason?
While grieving a terrible loss, a married couple meet two mysterious sisters, one of whom gives them a message sent from the afterlife.
Aud and Yai, a gay couple in a big city, move to a remote town and reopen an old gas station. Yai has an affair with a local woman and Udd plots murder. Neither man knows the gas station is haunted and the spirits have plans of their own.
On her 20th birthday, a girl discovers that she is a descendant of a bloodline of krasue ghost which is able to dislodge their heads and fly around searching for human flesh to eat.
Blackmailing a young couple to assist with his horrific experiments the Baron, desperate for vital medical data, abducts a man from an insane asylum. On route the abductee dies and the Baron and his assistant transplant his brain into a corpse. The creature is tormented by a trapped soul in an alien shell and, after a visit to his wife who violently rejects his monstrous form, the creature wreaks his revenge on the perpetrator of his misery: Baron Frankenstein.
Baron Victor Frankenstein has discovered life's secret and unleashed a blood-curdling chain of events resulting from his creation: a cursed creature with a horrid face — and a tendency to kill.
Dr Simon Helder, sentenced to an insane asylum for crimes against humanity, recognises its director as the brilliant Baron Frankenstein, the man whose work he had been trying to emulate before his imprisonment. Frankenstein utilises Helder's medical knowledge for a project he has been working on for some time. He is assembling a man from vital organs extracted from various inmates in the asylum. And the Baron will resort to murder to acquire the perfect specimens for his most ambitious project ever.
Dr. Frankenstein is left for dead in the woods. His daughter, Dr. Vera Frankenstein, hunts for his attacker: Dr. Cagliostro, a mad scientist who’s created a race of human-animal hybrids.
