Revolutions Per Second

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

Filmmaker John Torres describes his childhood and discusses his father's infidelities.

Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.

A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.

Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Artists Nathalie Gabrielsson and Peter Sköld uncover a massive disinformation campaign against the Swedish welfare model that started in the 1970s. The campaign is unique in the world in its strategic structure and extensive scope. All the problems we see today with a growing distrust of the political and democratic system, and scientific facts, can therefore be seen as a predictable consequence of this campaign and paradigm shift. It also gives us an idea of the background to when politics began to become meaningless, and more about creating mock debates and rhetorical plays in the media where, for example, scientific facts are no longer an obvious starting point. The Swedish Troll Factory makes visible the strategies and power interests behind this unique disinformation campaign and how it manipulates the democratic system.