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The lives of several individuals in the city criss-cross, thanks to children, who offer them a chance at redemption.
A mad doctor is determined to take revenge on the family he believes is responsible for his daughter's death.
The lives and loves of three young working class women, set in the pubs, terraced houses and factories of Battersea, South London.
In the last days of their tumultuous relationship Julian and Lara are confronted with a life changing event and now must bear the consequences.
This film shows contrasting views of women with problematic pregnancies and the outcomes resulting when they seek out a back-alley abortionist, a trained and licensed abortion provider in a clinic, or an obstetrician capable of performing a Caesarian Section. The full film appears to be lost, but shortened versions, including one with dialogue scenes added in Germany in 1935, can be found on the internet. Additionally, Eisenstein's role in making the picture remains unclear: did he direct some or all of it, just edit it, or merely leave it to Alexandrov and Tisse to make? Released in the USA 1930 in a 65 minute (5800 ft.) version with English intertitles and a music track under the title BIRTH.
As one of the youngest Planned Parenthood clinic directors in the nation, Abby Johnson was involved in upwards of 22,000 abortions and counseled countless women on their reproductive choices. Her passion surrounding a woman's right to choose led her to become a spokesperson for Planned Parenthood, fighting to enact legislation for the cause she so deeply believed in. Until the day she saw something that changed everything.
For the Sake of My Intemperate Youth (Swedish: För min heta ungdoms skull) is a 1952 Swedish drama film directed by Arne Mattsson. It was entered into the 1953 Cannes Film Festival.
A married woman with an unwanted pregnancy lives in a time in America where she can't get a legal abortion and works with a group of suburban women to find help.
Walton, the District Attorney, yearns to have children. Soon after defending an author on trial for publishing indecent literature, Walton discovers a secret his wife and her socialite friends have been hiding from him.
A woman who has been institutionalized for 60 years for the "crime" of not conforming to the 1920s image of what a proper young woman should be (in other words, she did what she wanted and didn't care what anyone else thought about it) is finally released to the custody of her family, consisting of her grand-nephew and his family. At first she keeps a self-imposed distance from the relatives, but she soon finds herself coming around to her nephew's wife, a free spirit who is under the thumb of her cold and controlling husband