Alaalang Walang Malay

Five years after their break-up, ex-lovers turned friends Sam and Isa attempt to find their own selves in the realm of their respective romantic relationships. What they discover instead is pain and uncertainty as they come to terms with their feelings for each other and everyone around them.

A mysterious and powerful being in the river catches the attention of the people living around it.

On Christmas Day, 15 year old David finds out that his boyfriend, Jonathan has taken another lover. The discovery leads him on the brink of depression making him think of ways to have him back at all cost. He has invited Jonathan to see him on this day for the last time.

Gene works for the local underworld syndicate but always treats his abductees with kindness. He begins a dangerous affair with ex-bar girl Dolor, who's routinely beaten by her rich husband. When the cops move in on Gene's gang and Dolor's husband winds up dead, the couple flees with the law and their enemies in hot pursuit.

A journalist investigates a woman with the name of China Doll. Soon, he discovers his knowledge of her turns out to be dangerous.

The episodically connected lives of four college friends unfold throughout the incipient martial law years, as they struggle to define their sexual and professional desires and how best to attain them.

Two filmmakers try to create a film venturing on the life of Jose Rizal. Before they do that, they try to investigate on the heroism of the Philippine national hero. Of particular focus is his supposed retraction of his views against the Roman Catholic Church during the Spanish regime in the Philippines which he expressed primarily through his two novels Noli Me Tangere and El Filibusterismo. The investigation was done mainly by "interviewing" key individuals in the life of Rizal such as his mother Teodora Alonso, his siblings Paciano, Trinidad, and Narcisa, his love interest and supposed wife Josephine Bracken, and the Jesuit priest who supposedly witnessed Rizal's retraction, Fr. Balaguer. Eventually, the two filmmakers would end up "interviewing" Rizal himself to get to the bottom of the issue.

In a time in the Philippines when the concept of divorce does not exist, a young woman has an affair with a married man. Eventually, they move in together, and that is when the problems start.

Decades before the rise of liberalism in Spanish-era colonial Philippines, a young charismatic preacher leads a movement for equality and religious freedom for his fellow native Filipinos. He is hailed as the Christ of the Tagalogs, but is sentenced to death for heresy by both Church and State.

Rekados is a magic-realist tragicomedy of three generations of cooks in the slums that own a karinderia. Josefina, the matriarch whose traditional skill in cooking keeps the family alive; Laura, the daughter who prefers cooking to please her customers and the man she desires; and caught in between the two is Pinay, the granddaughter who mimics Kris Aquino to get a basketball player of her own. In their small world of the kitchen that empowers and imprisons them, they cook dishes that symbolize their affection: adobo; kare-kare; dinuguan; and pansit. Each of them brings different flavors as they mix with each other and the men of their desires.

Senator Gabriel Alcaraz is preparing to deliver a privilege speech alleging corruption in the highest levels of government. On his way to the Senate, he gets wind of a plot against him. The police seek to arrest him for his part in an operation decades ago. Suspecting that the administration isn’t willing to give him a fair trial, Alcaraz goes into hiding abroad, hoping to find a way to clear his name and eventually return to his family. Back home, an old colleague is put in charge of finding him, and his family suffers under the pressure of public scrutiny.