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Filmed in Amsterdam on the European leg of his 2017 – 2018 Us + Them tour which saw Waters perform to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side of the Moon, The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want?
End of an Era is a BluRay, DVD and double CD from the Finnish symphonic metal Nightwish. Recorded at the Hartwall Areena in Helsinki, Finland on October 21st. 2005, the final concert of a long worldwide tour for their album Once. During the concert the band was joined on-stage by John Two-Hawks, who performed "Stone People" from his album Honor as an introduction to "Creek Mary's Blood", which featured his voice and cedar flutes. End of an Era is the final Nightwish production to feature Tarja Turunen. She and the rest of the band parted mere hours after this concert. Set-List: 1. Dark Chest of Wonders / 2. Planet Hell / 3. Ever Dream / 4. The Kinslayer / 5. The Phantom of the Opera / 6. The Siren / 7. Sleeping Sun / 8. High Hopes / 9. Bless the Child / 10. Wishmaster / 11. Slaying the Dreamer / 12. Kuolema tekee taiteilijan /13. Nemo / 14. Ghost Love Score / 15. Stone People / 16. Creek Mary's Blood / 17. Over the Hills and Far Away / 18. Wish I Had an Angel.
A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.
Sunken Treasure follows Wilco frontman Jeff Tweedy on his February 2006 solo acoustic tour. The footage was recorded over five nights and features songs from three of his current and former bands: Wilco, Uncle Tupelo, and Loose Fur, plus an unreleased track, "The Thanks I Get." The film is directed by documentarians Christoph Green and Brendan Canty, himself the former drummer of Fugazi.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
The Cure bring their magisterial, slow-burn masterpiece Disintegration to the Sydney Opera House Concert Hall for four shows to mark the 30th anniversary of their career-defining epic. This is the world premiere of these 30th anniversary performances, and their only Australian engagement. Setlist: Delirious Night, Fear of Ghosts, No Heart, Esten, 2 Late, Out of Mind, Babble, Plainsong, Pictures of You, Closedown, Lovesong, Last Dance, Lullaby, Fascination Street, Prayers for Rain, The Same Deep Water as You, Disintegration, Homesick, Untitled, Burn, Three Imaginary Boys, Pirate Ship
From a mind unlike any other, Biophilia Live chronicles the multidimensional concert centered on the eighth studio album of avant-garde Icelandic artist Björk. Nick Fenton and Peter Strickland, unique voices in their own right, film Björk live in performance and punctuate her music with evocative animation and science and nature footage. The infinitely creative journey presents a culmination of work that represents one of the most original musical endeavors of a generation.
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
After a close friends suicide; Will, a Punk and Post-Punk musician living in the US is struggling with doubts about his relationship, his identity and ultimately what he wants to do in life. Will becomes isolated, reliant on substances and is sent down a path of pain, suffering and existential terror.