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***Good but lacks the detail to make it great*** David is my favorite biblical character aside from JC himself. I never tire of reading the events of his life: the trials & perseverance, the agonies & ecstasies, the successes and failures. "King David" (1985) stars Richard Gere in the titular role and covers the bulk of the events. You’ll see all the following happenings in the picture: Samuel's choosing of David as successor to King Saul; Israel's battles with the Philistines; the fight with the hulking Goliath and David's victory with a sling shot; David playing his harp to soothe Saul's torment; Saul's increasing jealousy and hatred of “the man after God’s own heart”; David & Jonathan's brotherly love; David's wandering in the wilderness with his men, fleeing Saul; his stealing of Saul's spear while he sleeps in a cave, sparing him; Saul's suicide; David dancing in his skivvies when the Ark of the Covenant is brought into Jerusalem; Michal's love and, later, hatred of David (as he dances before the LORD); David secretly ogling the nude Bathsheba bathing from his palace roof and the ensuing adultery; David's indirect murder of Uriah (Bathsheba's husband) and Nathan's rebuke; Amnon's rape of his half-sister Tamar; Absalom's justified slaying of his half-brother Amnon; Absalom's stealing of the Israelite's hearts; Absalom's death and David's grieving The film is worthwhile if you desire to see these numerous events depicted before your eyes. The cast, sets, costumes, locations and filmmaking are for the most part of the highest order for 1985. Edward Woodward is excellent as the jealous and bitter King Saul, even though he lacks Saul's height (as he was a head taller than any other Israelite). Most aspects of the David/Goliath challenge are great, like the troops shown on two separate hills. Cherie Lunghi possesses an intelligent and unique beauty as David’s first wife, Michal, while Alice Krige is beautiful as Bathsheba. Despite the numerous events covered in David's life, the film only runs 1 hour and 50 minutes before the closing credits. The problem with this is that there's at least 3 hours of material and shortening it down to less than 2 hours prevents the viewer from being captivated by the myriad characters and happenings. This will leave some struggling to connect with the people and their stories. Regardless of the numerous events flying by, the film has a bit of a lazy vibe. There's very little spectacle like "The Ten Commandments,” but it’s more realistic. David was a ruddy and handsome man, according to the Bible, and Gere is quite good in the role. Yet David was a very passionate, a "man after God's own heart, which is effectively shown in some parts, like what he does with the model of the Temple at the end, but not in others, like when the boy fights Goliath there's zero passion and righteous ferocity as seen in the Biblical account (e.g. "Who is this uncircumcised Philistine who would defy the armies of the living God?!!"). Plus the film doesn't show the serious trash-talking that went back and forth between the two. The fight's just too low-key. Although the gist of the story is accurate there are inaccuracies that some nitpick, e.g. Goliath challenged David and the Israelites himself, he didn't speak through another man; David picked up stones before going out to fight the giant, not while fighting him; Absalom waited a long time before slaying Amnon, he didn't do it immediately; etc. Changes like these aren't that big of a deal and were made for dramatic or condensing reasons. Someone criticized the film for showing Bathsheba at fault for seducing David. Actually, they both shared fault equally. Everyone in Jerusalem knew the king stayed home while the troops were out fighting, so Bathsheba was likely fully aware that the king could catch a tantalizing glimpse of her while she was bathing on the nearby roof. Besides, even though David was the king, she could have said 'no' when the proposition of adultery later presented itself. In other words, she was both into it and into David. I've seen "King David" four times now and enjoy it every time. It's a well-done cinematic account of David's life for 1985 with a kinda weak ending. But the picture cuts off more than it can chew in a mere 1 hour and 54 minutes, leaving the viewer detached from the characters and events beyond David, in particular those who know little about the biblical account. But don't listen to those who give this film an absurdly low rating. They're way off. It's good; it just lacks the detail to make it great. Nevertheless, I’d watch “King David” any day over the overrated “Braveheart.” The movie was shot in Italy with studio stuff done Pinewood Studios, London. GRADE: B
I never quite understood why Richard Gere became the Hollywood superstar he did, and films like this don't really help. It's a standard production depicting the rise to the throne of Israel of David. We start just as God is getting a bit irked with the behaviour of King Saul (Edward Woodward) and the prophet Samuel (Denis Quilley) decides that the young David is to succeed. The King isn't so impressed with this and so sets about to ruin his would-be successor in the eyes of the army and the people. What now ensues takes us on some biblical adventures including that deadly slingshot moment and as it pitches father against son, an ascension to the throne and some tussles of his own with God - especially surrounding his relationship with Bathsheba (Alice Krige). As sword and sandal epics go, it's all rather ponderous with little by way of any notable acting going on and the soporifically dry adaptation from the Holy Bible isn't exactly setting the bush on fire either. If it serves to get folks to read the original stories from the Old Testament which are usually full of human skullduggery, naughtiness and corrupted souls then maybe it might serve a purpose, but otherwise it's an overlong television movie that looks like money has been spent on the costumes and locations, but that has little else to redeem it.
As a renowned producer and close associate of Dan Rather, Mary Mapes believes she’s broken the biggest story of the 2004 election: revelations of a sitting U.S. President’s military service. But when allegations come pouring in, sources change their stories, document authenticity is questioned, and the casualties begin to mount.
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless.
Born with a serious eye condition that eventually leads to his blindness, Bocelli nevertheless rises above the challenges, driven by great ambitions towards his passion. The silent pursuit of his daily mission continues.
An American Ambassador is killed during an attack at a U.S. compound in Libya as a security team struggles to make sense out of the chaos.
This film, is about the courage and the determination of a young woman in djurdjur"as mountain in Algeria, fighting for her ancestor land during the earlier years of french occupation.
Everything can change in an instant ... and take a lifetime to unravel. When Mac McDonald loses his son in an accident, the ensuing 17 years of bitterness and pain erodes his love for his family and leaves him angry with God ... and just about everyone else. Mac's rage stonewalls his career in the police department and makes for a combustible situation when he's partnered with Sam Wright, a rising star on the force who happens to be a part-time pastor and a loving family man. Can they somehow join forces to help one another when it's impossible for either of them to look past their differences-especially the most obvious one? Every day, we have the opportunity to rebuild relationships and heal deep wounds by extending and receiving God's grace. Offer THE GRACE CARD ... and never underestimate the power of God's love.
This revealing documentary from director Philippe Kohly examines the storied life of renowned soprano Maria Callas, from her troubled childhood in New York City to her scandal-laden but triumphant international career in opera. Featuring archival interviews with Callas herself and footage of contemporaries such as her lover Aristotle Onassis, this celebration of "La Divina" pays tribute to her enduring legacy some three decades after her death.
The tragic story of Vincent van Gogh broadened by focusing as well on his brother Theodore, who helped support Vincent. Based on the letters written between the two.
Polish socialist and Marxist Rosa Luxemburg works tirelessly in the service of revolution in early 20th century Poland and Germany. While Luxemburg campaigns for her beliefs, she is repeatedly imprisoned as she forms the Spartacist League offering a new vision for Germany.
Sweden in the 1780s. At the court the nobility lords and ladies dance, love, intrigue and compete for the King's favor. To this Stockholm arrives Rutger Macklean, nobleman and an officer. With a notion of an extensive re-organisation of the agricultural lands and the farm properties.
A film about Johnny Bode. Schlager diva, Operetta hero, filth musical innovator, enfant terrible, compulsive liar and amoral rogue. Johnny Bode (1912-1983) was very successful in Sweden and Europe. Yet he is today almost completely forgotten. Why? His life was so overwhelming, glamorous, fast and bizarre. So un-Swedish. He became fascinated by the nazism. Was arrested by the Gestapo and detained at Grini concentration camp in Norway. For five weeks. After the war he moved to East Berlin and proclaimed himself a dear friend of the GDR. Later he was deported and returned to Sweden. A time of fencing and small crimes followed. Escaped to Brussels at first and later Vienna. He was, as Juan Delgada, hired by the Vienna Opera to create new operettas. And was very successful. Johnny Bode died exhausted alone and abandoned in Malmö during the summer of 1983.