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The showgirls have moustaches and the waitresses can rip the phone book in half! This Burt Reynolds starrer had a very troubled production, with punches thrown and inevitable walk outs, it's no surprise to find this is hardly a great film. However, it's not as some would have you believe, a chaotic turd either. The password is later! Plot has Reynolds as Nick Escalante, he's an ex-mercenary working out of Las Vegas as a bodyguard for hire - amongst other things. When a lady of the night who he has paternal regard for is brutally beaten and sexually dehumanised, it brings Nick into conflict with a young gangster pretender with organised crime connections. All this as Nick battles his gambling addiction whilst trying to achieve his goal of moving to Venice, Italy, for his five year plan. You're a peach of a guy. You're "A" number one. You're a swell fella. Adapted by William Goldman from his own novel of the same name, Heat often threatens to be a very good picture. The characterisations are rich and interesting, the setting ripe for dark deeds and dream shattering, and Reynolds is in fine form. Reynolds was still a star, even if the films he was starting to make in the 80s didn't come close to matching his status. He is badly let down by some very creaky and daft action sequences here, why the director (Dick Richards/Jerry Jameson) didn't just do real time man to man combat is as mysterious as the resultant offering is daft. I made $7 million dollars on my 28th birthday. Don't call me kid. Whilst the screenplay lacks action (do not enter this one expecting an action fest), the script does have some weighty merit where Nick's interactions with others is concerned, none more so than with Peter MacNicol's (superb) Cyrus Kinnick. He's afraid of being afraid, enlisting Nick to give him a crash course in bravery. They are an odd pairing, but crucial to each other, they give the film its deft slices of humour, and simultaneously holding the key as to why Heat is not a bad film at all. Michael Gibbs layers some smart sultry jazz music over proceedings, befitting the Vegas setting, while James Contner's cinematography is also tonally compliant to the sort of desperation feeling permeating the plot. Howard Hesseman and Diana Scarwid aren't given enough time to impact greatly, but at least Karen Young as Holly (lady of the night) strikes the right chords. Unfortunately Neill Barry as chief villain Danny DeMarco is implausibly poor and irritating into the bargain. Enjoyment of Heat possibly hangs on if you happen to be a Reynolds fan, to get entertainment from watching him hold court. Viewed as a strong character piece with Reynolds front and center it passes muster, but if looking for something more then you could end up - like many already have- disappointed. 7/10
Had a couple okay moments and Burt Reynolds's charisma made it watchable, but the plot was muddy and I just didn't think it was very entertaining, which was pretty much my opinion of Wild Card which was also based on William Goldman's novel. **2.5/5**
An ex-Marine, on the lam from a murder charge, hitches a ride with a glamour-magazine photographer, who is travelling cross-country with her principal model. Tensions rise when the women realize the man with them may be a killer.
In Las Vegas, Lucky and two of her girlfriends, Carol and Lisa, plan to steal half a million dollars from the sadistic manager of the Circus Circus Casino. A shadowy man is their contact and organizer. Each of the women could be a weak link in a scheme that has to be flawless: Lucky's boyfriend is a security officer at the casino, Lisa is a trapeze artist who's now plagued with vertigo, and Carol is in debt to a nasty thug - plus, as a Black woman, she's subject to additional harassment. Can the gals pull off the heist, or is the plan, with it's mysterious organizer, too complicated to succeed?
A young woman who lives in a desert trailer park must choose between caring for her hapless father and sick friend or fulfilling her own destiny.
This is a documentary about the Dutch magician Hans Klok. It's a story about his quest to make his dream come true in the magician capital of the world: Las Vegas.
Documentary tracing the attempts of a team of Massachusetts Institute of Technology Institue students to become rich playing blackjack at casinos throughout the United States and the attempts of the casinos' management to thwart them.
Experience why America has fallen in love with Terry Fator's irresistible combination of humor and music and his hilarious cast of characters! The million-dollar winner of "America's Got Talent" and his endearing puppets deliver spot-on performances in the styles of many favorite singers.
Doreen is about to marry the man of her dreams, Hank, a mild-mannered guy who is equally as excited about marrying Doreen. However, Doreen's older brother, a wild man named Travis who's been estranged from her for several years, shows up to make amends, but instead he accidentally curses her. Doreen is now possessed by the devil. In Las Vegas is a homeless man known as Johnny Priest, who is the last known person to perform an exorcism in America. It's up to Travis and Hank to put aside their differences and travel from Chicago to Las Vegas to get Doreen an exorcism before it's too late and her soul is lost forever.
A young woman, guilt ridden for a crime she committed but got free of, is captured by a sadist for a game of Russian roulette with a great white shark and five similar opportunists who have escaped the law.
In 1987 Oakland, a mysterious force guides The Town's underdogs in four interconnected tales: teen punks defend their turf against Nazi skinheads, a rap duo battles for hip-hop immortality, a weary henchman gets a shot at redemption, and an NBA All-Star settles the score.
Bhagavanth Kesari's life takes an unexpected turn when he becomes the guardian of Vijaya Lakshmi aka Vijji, daughter of his jailer. Kesari, with his unwavering sense of justice, embarks on a journey to nurture Vijji into a resilient young woman aspiring to join the Indian army. Intertwined in this narrative is the presence of Rahul Sanghvi, a power-hungry tycoon whose connection with Bhagavanth and Vijji, unravels hidden secrets.
An engaged interior designer sees two small girls on the subway train that die there. He sees them again in his apartment. A woman he meets can also see them. He talks to her about his forgotten childhood.