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The Gypsy Portent and the Woman of Deadly Nightshade. The Man in Grey is directed by Leslie Arliss and adapted to screenplay by Margaret Kennedy and Doreen Montgomery from the novel of the same name written by Eleanor Smith. It stars Margaret Lockwood, James Mason, Phyllis Calvert and Stewart Granger. Music is By Cedric Mallabey and cinematography by Arthur Crabtree. A forerunner of Gainsborough’s Wicked Women movies, The Man in Grey is a delicious slice of British noir pie. Proudly decked out in period attire, story is ripe with dastards, narcissists, connivers, the selfish and the cruel. Headed up by Mason’s Lord Rohan and Lockwood’s Hesther Shaw, these people will stop at nothing to get what they want in life. It doesn’t matter who is around them, friends and family etc, if they can in any way hinder their respective selfish goals then they will be trampled upon and not a further thought will be given. It all simmers to the boiling point where lives will not just be ruined, but also ended. The four principal players are great, their respective careers well on the way to leaving behind considerable bodies of work. Arliss (The Night Has Eyes) keeps the story simple in spite of the many character strands and traits jostling for meaty exposure, and photographer Crabtree (Waterloo Road) accentuates the miserablist ambiance with sharp black and white lensing. The use of blackface on white actors is awfully out dated, as is some of the dialogue, but don’t hold these things against The Man in Grey. It’s a darn fine bodice botherer, resplendent with characters straight out of noir’s dark alleyways. 8/10
James Mason is the spoiled, somewhat ruthless "Marquis of Rohan" who alights on the charming, if naive, "Clarissa" (Phyllis Calvert) and decides she is to be the mother of his heir. That's all he wants from her. No love or romance - just so long as he gets a child. She grew up with "Hester" (Margaret Lockwood) and when many years later, sees her acting in a play, she asks her to come and live with her in her palatial London home. Her infrequent visitor husband, accepts the idea on the basis that he will have a new playmate and soon the manipulative "Hester" is no longer content to be the mistress, but wants the title too. Add to the mix the gallant "Rokeby" (Stewart Granger), a man who has the measure of the venal and ambitious woman and we have a character driven period drama that moves along quite well for 90 minutes. Mason features sparingly, indeed it is the two ladies who drive much of the intrigue here, and for the most part - though the pace can be terribly slow at times - they do a decent job. The scenes at the end have stayed with me since I first saw this film 45 years ago, and are still pretty chilling. It's very much of it's time, this film. There are scenes and characterisations that don't sit so well 80 years on, but it has a more substantial story than many dramas of it's ilk and is worth watching.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
In the beginning of the 19th century, Johannes Elias Alder is born in a small village in the Austrian mountains. While growing up he is considered strange by the other villagers and discovers his love of music, especially rebuilding and playing the organ at the village church. After experiencing an "acoustic wonder", his eye color changes and he can hear even the most subtle sounds.
Die Polizistin is a drama by Andreas Dresen about the life of a young police woman who is faced with the difficulties between her responsibilities at work and her personal responsibilities.
Second-hand car sales man Willenbrock has everything that he could ever wish for. He is married, has two lovers, a cottage in the German city Grünen, and a BMW. Yet one day while at his cottage he gets mugged and his life is drastically changed. Little by little the world he once felt safe in falls apart around him.
The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.
Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.