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Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
After being excommunicated from the yakuza, Ginya Yabuki returns from the shadows as leader of his own crime syndicate known as the Tokyo Mafia.
Kamagasaki is an "invisible" slum of Osaka that attracts day laborers and prostitutes since WW2. When the local gang has its treasured cauldron stolen, a war to find it begins involving the thugs, a 12 years old kid, a prostitute and a pickpocket, including the giant cauldron used to feed the destitute: The symbol of Kamagasaki.
The fourth part in the series "Code Between Brothers". The story takes place in Fukagawa, Tokyo, at the beginning of the Showa era, where five players following the harsh path of a knight defeat a despicable Yakuza gang.
A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.
Hubert is a French policeman with very sharp methods. After being forced to take 2 months off by his boss, who doesn't share his view on working methods, he goes back to Japan, where he used to work 19 years ago, to settle the probate of his girlfriend who left him shortly after marriage without a trace.
When Kanako, a model daughter and a brilliant student, disappears, her mother asks her ex-husband, a violent former policeman, to find her. As his investigation progresses, his idealized image of Kanako cracks: the girl hides a dark life that her father can not even imagine.
A cocaine deal is about to go down between yakuza and Hong Kong triad gangsters and a small time porn peddler is used as a mole by a dirty cop.
A new wave Yakuza film in which Takanori Jinnai plays a young Yakuza suffering from stomach cancer who has very little left to live. This film is based on the posthumous manuscript of Shoji Kaneko, the legendary director who died of cancer after completing work on the hit "Ryuji".
