Flying Saucers Over Hollywood: The 'Plan 9' Companion

The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.

The dawn of the 21st Century has found much of modern society obsessed with occult mysteries, sadistic violence, and evil. Everything from cartoons and video games to recorded music and major theatrical films are being designed and promote to "satisfy" the public's insatiable lust for the macabre. Most disturbing is the rise in the practice of Satanism. Law enforcement agencies are unable to keep up with the increasing numbers of heinous, Satanically inspired crimes. Basically a remake of Devil Worship: The Rise of Satanism (1989) using the same footage.

Explore the dramatic career and personal struggles of the talented and tragically short-lived entertainer Judy Garland through rare concert footage, never-heard-before voice recordings and personal photos.

"No film may throw ridicule on any religious faith..." So began Article VIII of the Hollywood Production Code, a series of ethical guidelines that for forty years helped the motion picture industry produce many of the greatest and most family-friendly films in history. That was then, however, this is now. A revered "historical" movie quietly takes every opporturnity to lie and twist the facts in order to make Christians appear as backward, foolish hypocrites. An actress jumps at the chance to play a Christ-hating role, saying, "I'm an atheist, so it was a joy." One of Hollywood's most respected directors films a passion play written by a disciple of Friedrich Nietzsche, the father of the "God is dead" movement. Not surprisingly, the movie's Jesus helps crucify people and later confesses that satan is inside him. A media mogul states that "Christianity is a religion for losers."

A detailed history of documentary filmmaking in the US and the UK from 1929 to 1945. The first part, Working for Change, focuses on 1929-1941 and the social movements of the times, The Great Depression, The New Deal, and the awakening of the Leftwing in the UK. The second part, The Strategy of Truth, focuses on 1933-1946 and explores the role of film as propaganda during World War II, and the different forms it took in the US, the UK, and Germany.

Fans forever love Will Smith who are reassured they will always be entertained. Follow the journey of this fascinating actor, producer, husband, and father who has the WILL to win.

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

Portrait of director Andrey Zvyagintsev against the background of the filming of his film "Loveless".

Actor Glynn Turman makes his Broadway debut at 12 years old in the original production of “A Raisin in the Sun” opposite Sidney Poitier and becomes a silver screen legend for six decades.

HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.