A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Bad Shepherd 2024 - Movies (Jan 17th)
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Tuesdays Trash 2024 - Movies (Jan 17th)
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The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
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Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
Casualty - (Jan 18th)
Mysteries Unearthed with Danny Trejo - (Jan 18th)
The Chase - (Jan 18th)
The UnBelievable with Dan Aykroyd - (Jan 18th)
The Way Home - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
**An imitation of American cinema that comes from Norway.** Disaster films are one of those classics that cinema has used us to, mainly due to the dramatic and bloated Hollywood films. This film is not American, it comes from freezing Norway, but all the melodramatic and emphatic language of US cinema is present throughout the film. I confess that I was a little surprised to see a Norwegian film about a devastating earthquake. I'm not a geologist, but I don't associate the danger of the most intense earthquakes with Norway. The country, naturally, suffers some moderate earthquakes every year and, in fact, a more intense event was recorded at the beginning of the 20th century, in which the capital was seriously affected. However, the Norwegian earthquakes are tickles when compared to those that shake Turkey, China, India and the Atlantic and Hawaiian archipelagos. The Oslo earthquake, which the film talks about, did not even reach an intensity of 6 on the Richter Scale, that is, it was weaker than the recent earthquake in Marrakesh and does not even compare to the presumed 9 that, in 1755, devastated Lisbon and significant parts of North Africa and the Iberian Peninsula. In any case, the film is reasonably good and entertains us satisfactorily. I didn't see the previous film nor did I know it existed, although I suspected it when I saw some scenes at the beginning, a suspicion that I clarified when documenting myself to write this text. Naturally, being my first contact with Norwegian cinema, I didn't know the director John Andreas Andersen nor do I know any of the actors. However, what I saw pleased me: Andersen shows himself to be a disciple of US cinema and draws inspiration from films like “Volcano”, “Dante's Peak” and “Daylight” in a way that is so evident that it seems like a collage. The script copies elements from these different films and gives us an almost identical story, based on the hero's attempts to warn of an imminent catastrophe despite the deafness of the competent authorities to deal with it. However, the film has strength, drama, soul and movement, avoiding dead moments and making almost no concessions to cheap melodrama. The worst part is seeing that Andersen was unable to create a closed ending, leaving his characters hanging in danger without us knowing how they ended the day. Perhaps more relevant than anything else, including the performance of each of the actors, is the excellent introduction and use of visual effects and CGI, which give us what we are looking for in a film of this kind: chaos, destruction and danger. The film manages to take advantage of the effects to create good dramatic tension and a convincing sense of danger. The actors, of course, are a welcomed help: although Edith Haagenruud-Sande has an irritating character who seems to act without any conscience in the face of danger, the protagonist, Kristoffer Joner, is solid enough to transform his hero into someone sympathetic. Less fortunate were the two actresses Ane Dahl Torp and Kathrine Johansen: despite all their efforts, which I recognize, their characters are left here, creating the illusion of a potential love triangle that never materializes. I also didn't like Jonas Oftebro's character, an actor who doesn't seem solid or consistent either: his character's father shows up unexpectedly when he was going out with his girlfriend, and he is unable to tell the little princess “be patient, we'll go out later; at least, I’m going to serve my dad's a hot coffee and listen to what he wants”? What a beautiful son!
Live to tell the truth. What can one man do against the most lethal army on earth? Local fishermen/smugglers/tourist guides Tom, Lars and Sverre discover the Soviet Union aren't just mining for coal in the arctic archipelago of Svalbard. This is a secret too big for any of them, and soon they find themselves hunted down by Soviet forces and secret agents.
When an in-flight collision incapacitates the pilots of an airplane bound for Los Angeles, stewardess Nancy Pryor is forced to take over the controls. From the ground, her boyfriend Alan Murdock, a retired test pilot, tries to talk her through piloting and landing the 747 aircraft. Worse yet, the anxious passengers — among which are a noisy nun and a cranky man — are aggravating the already tense atmosphere.
“Archeology” and “Archive” share the same roots. Both words come from “Arkhé”, the Greek word for “origin”. In the ruins of buildings, lost forever by earthquakes, as in the depth of the archives, we dig. What happened the morning of the big earthquake? The morning of September 19th 1985 is fading away in our memories. These recordings have never been seen. Unedited images of the catastrophe dug out by the archaeological adventure of an archivist that suffered with them. He dug and suffered until he could no longer see.
The Australian Aborigines (in this film anyway) believe that this is the place where the green ants go to dream, and that if their dreams are disturbed, it will bring down disaster on us all. The Aborigines' belief is not shared by a giant mining company, which wants to tear open the soil and search for uranium.
In the Sahara desert, a sandstorm batters a deserted drilling station. A security patrolman battles through the high winds to investigate why all contact with the station has been lost. Originally built for gas exploration, and then abandoned, the site had recently been taken over by a multi-national research team intent on drilling deeper into the earth’s crust than ever before.
When tornadoes hit a nuclear power plant, critically damaging the plant's cooling system, the results could be catastrophic. Atomic Twister, a countdown to disaster, traces an extraordinary day in the lives of small town citizens who unexpectedly find themselves facing the possibility of mass destruction.
Having recently lost her sight, Ingrid retreats to the safety of her home—a place where she can feel in control, alone with her husband and her thoughts. After a while, Ingrid starts to feel the presence of her husband in the flat when he is supposed to be at work. At the same time, her lonely neighbor who has grown tired of even the most extreme pornography shifts his attention to a woman across the street. Ingrid knows about this but her real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.
Dr. Steven Sorenson plans to tap the geothermal energy of the Earth's interior by means of a thermonuclear device detonated deep within the Earth. This experiment causes a crack to form and grow within the Earth's crust, which threatens to split the earth in two if it is not stopped in time.
Set in Oslo 1945, Elsa the film explores national identity, heroism, vengeance, and sexual freedom.
Aviation disaster-prone Joe Patroni must contend with nuclear missiles, the French Air Force and the threat of the plane splitting in two over the Alps.
A cruise ship succumbs to a terrorist act and capsizes on New Year's eve. A rag-tag group of survivors, spearheaded by a priest and a homeland security agent, must journey through the upside down vessel and attempt an escape.