Inventur - Metzstraße 11

The rut of Dalmatian hinterland changes with the arrival of returning guest workers, and things they bring along: cars, radios and new way of life.

Cem Kaya’s dense documentary essay celebrates 60 years of Turkish music in Germany. An alternative post-war history that is at the same time a musical Who’s Who – from Yüksel Özkasap to Derdiyoklar and Muhabbet.

A Croatian guest worker who worked in Germany for many years, builds a house and a workshop for his 20 year old son back in their country of origin. However the son plans to marry his German girlfriend, and doesn't even think of returning to their land.

Turkish immigrant Husseyin spends his days in hypnotic routine as a “guest worker” in ‘70s West Berlin, living in a small, shared apartment and commuting daily to his job at a factory pressing machine parts. Diligently saving up his wages he hopes to one day marry and buy a house back home, but his immediate future in Berlin is clouded by indignities at the hands of racist coworkers and botched attempts at romantic intimacy. With only his fellow immigrant housemates as patchwork community, Husseyin perseveres with a quiet dignity in the face of an alienating country.

The story of two workers who returned from abroad. One of them wants to find a good job, Adam, and the other one wants to earn money by smuggling, Beli. Between them two there's young woman, Mila, who has had experience with the second one. Running away from the man who is the incarnation of evil for her, she is trying to find happiness and peace with another one in vain.

Follows the life of a Turkish woman living and working in Germany.

Make it new John tells the story of the DeLorean car, its creator John DeLorean and the workers of the Belfast-based car plant who built it. The film deftly contrasts the DeLorean dream with its spectacular downfall during a critical period in Northern Ireland's history, and the canonisation of the car - the DMC12 - as a symbol of the American myth of mobility. As with the earlier works such as Bernadette (2008) and Falls Burns Malone Fiddles (2003), in Make it New John, Campbell fuses a documentary aesthetic with fictive moments, using existing archive news and documentary footage from the 1980s as well as new 16mm footage which imagines conversations between DeLorean factory workers. Campbell questions the documentary genre and reflects here on broader existential themes and narrative drives.

Why did Milos Forman have to make certain films the way he did? Where does his inner strength come from? What is the story of his life?

Before its economic decline, Detroit was a major metropolis. Now, in the 2000s, the young people of the Motor City are making it their own DIY paradise where rules are second to passion and creativity. Johnny Knoxville tours the city to meet some of the people who are creating a new Detroit on their own terms, against real adversity.

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.