The Nomi Song

MONTREAL NEW WAVE is a feature documentary that explores the New Wave cultural current in Quebec in the 70’s and 80’s. The film documents and questions that unknown part of our recent cultural history. Through archives and interviews with key figures of the time, MONTREAL NEW WAVE wants to shed light on a defining current that still inspires the Quebec cultural scene today.

The first-ever DVD to feature one of the great New-Wave acts of the late 1970s, The Fleshtones. For over 30 years, the band has recorded and toured playing around the world to their ever-loyal fanbase and is still going as strong as ever. Live At The Hurrah Club features a full-length performance from the band at New York's legendary venue from the early 1980 s bonus material that comes from a performance at the NY Rocker Party event.

Heartbeat City Tour, recorded live at The Summit in Houston, Texas on September 12, 1984.

After connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two lovers seem destined to be together.

Probably the most atypical star in the history of popular music, Ian Dury overcame Polio to be one of the most iconic figures of the late punk movement. With his supercharged live performances and unique blend of sexually poetic lyrics, Ian Dury achieved critical aclaim from both his fans and fellow artists. From his early days with Kilburn and the High Roads to his superstardom with the Blockheads, Ian Dury was a complicated cocktail of warmth, wit, bile and bombast... quite simply he was unique and unforgettable. To discover the legend that is Ian Dury this DVD contains amazing live performances of Sex & Drugs & Rock & Roll, What A Waste, Hit Me With Your Rhythm Stick, Sweet Gene Vincent and many other hits from his heyday, alongside in-depth interviews that give an insight to the man himself.

A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album "Speaking in Tongues." The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.

Freddy wants to be a star. He writes and performs his own songs, but has no record contract yet. He has an idea to form a group of back-up vocalists and recruits four beautiful girls who also happen to be his former lovers. They name themselves "THE FOUR PIN-UPS." But even this doesn't work because Freddy wants the spotlight for himself. However, by chance, the girls find themselves onstage without Freddy; they start singing and capture the audience and sign a contract with a big producer. They seem to be on the road to success with their own sound and a new wave image. Except the dream begins to lose its glow; scandal, conflicts, and disenchantment start affecting the group. They go from number one to...

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

In the early 1970s, rubber was still king in Akron, Ohio. But just a few short years later, Akron's most important product was, ever so briefly, music. In the mid-1970s, a group of local bands took over an old rubber workers' hang-out in downtown Akron called The Crypt and created a mix of punk and art rock that came to be known as "the Akron Sound." And for a while, it was almost "the next big thing." Almost. It's Everything, and Then It's Gone, a Western Reserve PBS production written and directed by Phil Hoffman., takes viewers back to a time when the music really did mean everything. And for the men and women in these local bands, it was a way out of the factory.

Going To California is a concert performance video by the British pop group Tears For Fears. Released in 1990, it is a recording of the band's show at the Santa Barbara County Bowl in May 1990 during their "Seeds Of Love" World Tour.

This video release by Depeche Mode features an entire concert from their 2001 Exciter Tour, shot at the Palais Omnisports de Paris-Bercy on 9 and 10 October 2001.