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Jean, a young French hooligan, is sent on a forced vacation to his grandfather Evald, who lives in the Slovenian countryside. Despite Evald's warm welcome, Jean remains quite withdrawn, speaks only French with his grandfather, and coldly rejects his lifestyle, which is mainly devoted to tending the orchard and selling apples on the local road. While they struggle to get used to life together, frost is slowly approaching Evald's orchard.
In 1940, shortly before the outbreak of war, a young boy Marjan lives a carefree life with his gang in Ljubljana, experiencing all the problems of his age. With Lenka he's experiencing his first "pure" love, while discovering sexuality... The Italian occupation brings many changes, gang breaks up, some join the liberation movement, the others join collaborationist forces. Marjan remain "unlisted". Italians surrender, and hand over the city to Germans. Frivolous Milena, who has good connections with them, seduces Marjan whom she lost her innocence with. The war is over and the partisans win. The new authorities mistakenly imprison Marjan.
In 2009, a group of military enthusiasts led by the commander France (Gojmir Lešnjak - Gojc) decides to occupy Trieste. The group that stages battles performs it at a completely fictional location. However, this hobby is not to the liking of France's wife Marija (Silva Čušin) and his daughter Mateja (Anja Drnovšek). The daughter as a representative of the young generation has no understanding of her father's enthusiasm for partisans, battles and Tito. France is also confronted by the Slovenian police led by the commander Brane (Dario Varga) as Brane forbids France to stage any more battles ... Will the young generation accept our history and will Trieste be ours?
Young lawyer Rebeka is given a case involving the murder of a production designer, and the main suspect is her childhood friend Jana. What first seems like a very straightforward case gradually reveals the dark sides, mysterious depths and stray ways of human nature.
A post-WW2 story about the village largely involved in wine-making business. The peasants who claimed possessions of lands, woods, and churches after communist party seized the power hold a party where a member of so-called reactionary forces (kulaks, clergy and Axis collaborators) tries to break in and stop it.
After being fired, a young car mechanic Đuro gets recommendation to look for another job in a remote village. His new boss is warm, old fashioned and naive - completely opposite from the world he's coming from. The peaceful atmosphere is shaken when Đuro falls for a regular customer's wife.
When a progressive, midwestern pastor's life is threatened by extremists, she must answer to a gang of interrogating FBI Agents as she reels from the trauma of terrorism. "The Pulpit: Prelude" is about small town politics and the challenges faced by progressive leadership. The film sheds light on the violence and prejudice in a variety of faith communities and the challenges of seeking help from institutions like law enforcement. Inspired by a True Story, this short film is a prelude to a feature-length Thriller of the same name. "THE PULPIT" will return.
The reconstruction of creation of an influential avantguarde movement called "Novo Mesto Spring" that arrived on Slovenian cultural scene during 1920s. Within this movement worked significant local artists such as composer Mario Kogoj, painter Rihard Jakopic, poet Danijel Bohoric and many others.
At the end of the last century hunters who hunted wild roosters, while waiting for prey to show up, were killing time with storytelling. The first story is about Jernac that had a fight with Tomas because of Rezika. Another story tells about Tincek, limp foundling, who spent his youth with the Komar family, where he fell in love with their Lencka. The third is the story of a rich Miholac whose attention was grabbed by poor Polonca, a romance that was opposed by his father. The central theme of all stories is love that eventually everybody die of.
A story about a couple from the bottom of the social ladder, about smuggling refugees across borders and other 'suspect' things- it is, first and foremost, an attempt to tell a story about the worst in people, wherever they may be coming from.
