California Typewriter

What if, before rushing headfront into technology progress, we think twice about it ? As our societies bet on technology outbids, some chose to invest on sobriety : the "low tech".

William Shatner presents a light-hearted look at how the "Star Trek" TV series have influenced and inspired today's technologies, including: cell phones, medical imaging, computers and software, SETI, MP3 players and iPods, virtual reality, and spaceship propulsion.

Traces the historical evolution of these structures that make-up “the cloud”, the physical repositories for the exponentially growing amount of human activity and communication taking form as digital data.

Commissioned by the Festival of Britain to show the similarities and contrasts between 1851 and 1951, by means of the Great Exhibition and the Festival.

A whimsical yet serious-minded look into the future sponsored by the appliance and radio manufacturer Philco-Ford. In the "1999 House of Tomorrow", each family member's activities are enabled by a central computer and revolve around products remarkably similar to those made by the sponsor. Power comes from a self-contained fuel cell which supports environmental controls, an automatic cooking system, and a computer-assisted "education room".

The Cost Of Convenience examines how internet platforms are impacting our mental health, restructuring our communities, threatening our democracy, and violating our human rights.

People's Stuff is a document of six collectors of unusual objects. Creating an environment for storytelling, the subjects reveal inner dreams and motivations as they share both their collections and their lives with the viewer. Charmaine Burrell collects Purple Cows. Fred Crane, Professor Emeritus of Musicology at the University of Iowa, collects jaw harps (he calls the instrument a trump). George Preston collected commercial signs. Ruth Rasmussen is in the Guinness Book of World Records for her salt and pepper shaker collection. Irene Redfearn collects sea shells and Craig Starr, spark plugs. Ruth Rasmussen is in the Guinness Book of World Records for her salt and pepper shaker collection. Irene Redfearn collects sea shells and Craig Starr, spark plugs.

By observing the technological developments of artificial intelligence in several countries, this film sheds light on the advantages and limits of algorithms and their repercussions on the lives of citizens. Whether at the level of the State, the police, universities, or companies, artificial intelligences should be used as a tool, but very often become a substitute for the work of the individual. There are many abuses: manipulations, addictions, or centralization of power. What can governments and States do to best regulate these technological advances?

More Than Robots follows four international teams of teenagers as they prepare for the 2020 FIRST Robotics Competition. Get to know competitors from Los Angeles, Mexico City and Chiba, Japan as they work towards the ultimate goal of taking their unique designs all the way to the highly competitive global championships. Along the way they must overcome challenges such as having limited resources or putting everything on hold because of the COVID pandemic. The kids persevere and learn that there is a lot more to the competition than just robots.

Within the coming decades we will be able to create AIs with greater than human intelligence, bio-engineer our species and re-design matter through nanotechnology. How will these technologies change what it means to be human? Director Doug Wolens speaks with leading futurists, computer scientists, artificial intelligence experts, and philosophers who turn over the question like a Rubik’s Cube. Ultimately, if we become more machine-like, and machines more like us, will we sacrifice our humanity to gain something greater? Or will we engineer our own demise? THE SINGULARITY is a comprehensive and insightful documentary film that examines technology’s accelerating rate, and deftly addresses the resulting moral questions.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.