A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Emmas Big Adventure 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
The Way Home - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
**Unlimited twists and turns with well kept suspense.** Those who were complaining about mainstream films, particularly the non-Indians, the recent time has been in their favour. It was some time since the change has begun, but now the gaps between mainstream and parallel cinema is narrowing. The good news is it's not just Kollywood, but every Indian film industry taking this stride remarkably. Since I'm very attached to Tamil films, my observation says the quality of those film contents were comparable with international standards. Why I'm saying that with confidence is there's a chance this film would be remade elsewhere around the globe. So now you might be curious about this film. It is not a brain teaser. It is simply a mystery, but the developments, especially the film characters never stop till the final. Like the title says, up to 16, the new characters keep coming not giving any space for you to breath. So predicting anything makes so hard. All along the twist and turns, including a couple of them were clichéd which were needed for a screenplay like this, particularly to divert the viewer's attention from foreseeing upcoming scenes. In a similar, I thought I found a big flaw, but after some time moving ahead further I realised I got it all wrong. A middle aged man who recently retired from the police service after an incident that led him to lose one of his legs, recalls a series of events of his final days on the duty with a guest aspiring IPS officer. So going 5 years back when a double murder in the same residential area took place, the investigation kick-starts with bringing-in three suspected youngsters. But later, from different angle of the same incident adds more complication. After joining all the pieces together still they only get different theories, but not truth. That final piece in the puzzle revealed only in the last minute, which deciphered in a style. > ❝Karma is a boomerang. However far you may hurl it... It will bounce back to us.❞ Once you watch finishing it, you will come to know it was a straight story, but turned into a nonlinear narration. Especially the different characters coming into the frame at different stages of the narration are the most cleverest part. It's good to recall everything you saw to make sure you understood the film. Some people watch such film twice and it is surely not a bad idea. But like I said, it is not a briantwister if you focused enough since the beginning. This is one of the shortest Indian films, so the pace was super fast to cover every detail. The entire film was a flashback. That's the main reason to give preference to only the most needed parts. But from the audience perspective, the story they learn can be viewed from any angle for a different result. I mean, some of us usually choose sides if there's a rivalry in the tale. In this film it was a guessing game surrounding the deaths. Except a very few characters, no one stays for very long which only fuels the mystery further. The best part is there's no lie, like any film character committing one to escape the law. The narration only avoids the full detail which is what makes us tough to crack the nut. Those given false statements never see the light on the progression, which is a big hint you if you are watching it for the first time to stay on the right course to possibly come close to the truth before the film reveals itself. It's the writing and the direction that makes this film great. From Hollywood to French, Korean, we often see good script like this, but in the execution where most of them fails. From the casting and performances to the locations, technical side of the film, even turning it into a good quality product with such budget was remarkably done. This is the director's feature film debut and it is a loud statement of his arrival. Mainstream commercial cinema is a trap with big stars, so I hope he stays in the parallel cinema. Coming back to the film, it is a must see for neo-mystery-thriller fans. One of the best films for non-Indians to try if they haven't seen any Indian films. But anyway, I strongly suggest it to everyone. _9/10_
The kidnapping of some chiefs of police by a rogue ex-policeman is just the beginning for a much much bigger story that it seems at first sight.
All his life, Ronaldo has led a quiet and comfortable life. The son of a mayor, he hopes to earn his law degree and to one day follow the footsteps of his father. But one night, tragedy strikes when his parents are assassinated. Stricken by both grief and anger, Ronaldo abandons his studies and heads home. After burying his parents, Ronaldo begins to look deeper into his parents’ gruesome killing, and what he discovers is an even more gruesome truth: the man he has trusted all along is the very man who had masterminded the crime.
After waking up to her sister, Bela, missing, Lana goes on a hunt to find her, only to discover that her disappearance may be worse than what she thinks.
In the 1930s, a sailor trying to prove that his brother was wrongly executed for murder finds himself becoming drawn into the occult world.
How does retired cop Joshua Burke (James Earl Jones) get two career criminals, Manny Durrell (Sidney Poitier) and Dave Anderson (Bill Cosby), to follow the straight and narrow? Con them into helping juvenile delinquents turn over a new leaf. But how? Burke has never been able to nail the duo, but he uses what he knows of their seedy past to blackmail them into volunteering.
A sociology instructor finds her new teaching duties at a private college interrupted by the presence of a killer.
Betty has a crush on her tennis instructor Mike. He promises to call her for a date, but never does – she doesn’t know he sells drugs on the side. After botching a deal on someone else’s turf, Mike has to disappear for a while. He contacts Betty – then he’s killed before they can meet. Betty tries to find out what happened, leading her straight into a hornet's nest of vice.
An assassin named Tae-goo is offered a chance to switch sides with his rival Bukseong gang, headed by Chairman Doh. Tae-goo rejects the offer that results in the murder of his sister and niece. In revenge, Tae-goo brutally kills Chairman Doh and his men and flees to Jeju Island where he meets Jae-yeon, a terminally ill woman. Though, the henchman of the Bukseong gang, Executive Ma is mercilessly hunting Tae-goo to take revenge.
A film that celebrates the aspiration of Bobby, who wants to become the number one detective in the old city area of Hyderabad.
A serial killer (Woong-in Jeong) whose modus operandi includes painting abstract designs on his victims prior to raping, killing, and eating them is captured and interrogated by a hardened district attorney (Soo-yeon Kang). When the maniac fails to provide answers satisfying both the prosecution and defense attorneys, he is hypnotized and shocking secrets begin to emerge.
The same day of their marriage, Jean's wife dies of a strange ailment in the middle of surgery. Afflicted by the loss, the young man abandons his medical studies and takes refuge in the memories of his time of courtship. At the same time that this happens, a wave of murders shakes the city with the same pattern of behavior: the victims are surgery students whose bodies have had both hands amputated.