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Chris Jansing Reports - (Mar 26th)
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Pawn Stars - (Mar 26th)
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Wild Cards - (Mar 26th)
Family Feud Canada - (Mar 26th)
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Ishura - (Mar 26th)
Outback Opal Hunters - (Mar 26th)
The 11th Hour with Stephanie Ruhle - (Mar 26th)
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Deal or No Deal Island After Show with Boston Rob - (Mar 26th)
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After Midnight - (Mar 26th)
**_Scream 4_ breaks the mold of the franchise, delivering brutal kills and suspenseful scenes that keep the audience engaged throughout the entire runtime.** The story is pretty weak, requiring quite a suspension of disbelief, as is the case with the majority of the Scream sequels. The introduction of new family members of Sidney Prescott felt a little out of place, with no mention of an aunt in the previous films. But all that aside, this movie delivers on what I have been wanting throughout the entire franchise: blood, gore, and brutality. The majority of slasher films have poor plots, but that is not why you are there, you want uncensored horror. With Scream 4, the blood is cranked to a hundred, with crime scenes left with the walls repainted, intestines falling out of victims, and slits that ooze with blood with every heartbeat. Not only are the kills brutal, but our Ghostface is too. His phone calls have a tremendous amount of anger, with some lines being incredibly messed up. Overall, it was a real treat to watch. In addition, the meta-commentary worked pretty well for me unlike the previous films; I do not know if it is just a product of the times, as I was only a child when the first trilogy was released, so quite a bit of references could have flown over my head. Much like previous films, the new characters did not do much for me. They lacked any interesting details and were merely there to be meat sacks for our killer's knife to enter, and enter they did. Hayden Panettiere was a standout, who I especially enjoyed though. Emma Roberts was okay; she never really seemed convincing in the role she was attempting to play. Neve Campbell and Courtney Cox are badasses once again; I will never get sick of seeing them kick Ghostface’s ass while attempting to avoid death. I have been pretty critical of David Arquette throughout the series, but in Scream 4, he did a great job and really added a lot to the movie. Wes Craven did an excellent job with the direction of this film. Where Scream 3 felt generic and uninspired, Scream 4 felt like a real passion project for him, with an infusion of new ideas to keep the series fresh. It was easily my favorite directorial performance since the original. Overall, I really enjoyed Scream 4 and think it is the first film to actually rival the original. With a slightly tighter story, this film could have easily been the best in the series. **Score:** _70%_ **Verdict:** _Good_
Private Investigator Philip Marlowe is hired by wealthy General Sternwood regarding a matter involving his youngest daughter Carmen. Before the complex case is over, Marlowe sees murder, blackmail, deception, and what might be love.
In Japan, the vampire-hunter Saya, who is a powerful original, is sent by her liaison with the government, David, posed as a teenage student to the Yokota High School on the eve of Halloween to hunt down vampires. Saya asks David to give a new katana to her. Soon she saves the school nurse Makiho Amano from two vampires disguised of classmates and Makiho witnesses her fight against the powerful demon.
A group of survivors take refuge in a shopping mall after the world is taken over by aggressive, flesh-eating zombies.
While grieving a terrible loss, a married couple meet two mysterious sisters, one of whom gives them a message sent from the afterlife.
Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.
A private detective takes on a case that involves him with three eccentric criminals, a beautiful liar, and their quest for a priceless statuette.
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
A young man journeys through a desert, where he is kidnapped by a sadistic stranger clad in a pig mask. The stranger proceeds to brutally torture the young man, who then finds himself escaping into his imagination, with fantasy and reality intersecting.
As the city is locked down under quarantine, Alice finds out that the people that died from the previous incident at the Umbrella Corporation have turned into zombies. She then joins a small band of elite soldiers, who are enlisted to rescue the missing daughter of the creator of the mutating T-virus. Once lack of luck and resources happen, they begin to wage an exhilarating battle to survive and escape before the Umbrella Corporation erases its experiment from the face of the earth.
Mort Rainey, a writer just emerging from a painful divorce with his ex-wife, is stalked at his remote lake house by a psychotic stranger and would-be scribe who claims Rainey swiped his best story idea. But as Rainey endeavors to prove his innocence, he begins to question his own sanity.
After the death of his boss's wife, a young engineer faces the sudden psychological metamorphosis of his own wife, seemingly possessed by the soul of the deceased...