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**_Scream 4_ breaks the mold of the franchise, delivering brutal kills and suspenseful scenes that keep the audience engaged throughout the entire runtime.** The story is pretty weak, requiring quite a suspension of disbelief, as is the case with the majority of the Scream sequels. The introduction of new family members of Sidney Prescott felt a little out of place, with no mention of an aunt in the previous films. But all that aside, this movie delivers on what I have been wanting throughout the entire franchise: blood, gore, and brutality. The majority of slasher films have poor plots, but that is not why you are there, you want uncensored horror. With Scream 4, the blood is cranked to a hundred, with crime scenes left with the walls repainted, intestines falling out of victims, and slits that ooze with blood with every heartbeat. Not only are the kills brutal, but our Ghostface is too. His phone calls have a tremendous amount of anger, with some lines being incredibly messed up. Overall, it was a real treat to watch. In addition, the meta-commentary worked pretty well for me unlike the previous films; I do not know if it is just a product of the times, as I was only a child when the first trilogy was released, so quite a bit of references could have flown over my head. Much like previous films, the new characters did not do much for me. They lacked any interesting details and were merely there to be meat sacks for our killer's knife to enter, and enter they did. Hayden Panettiere was a standout, who I especially enjoyed though. Emma Roberts was okay; she never really seemed convincing in the role she was attempting to play. Neve Campbell and Courtney Cox are badasses once again; I will never get sick of seeing them kick Ghostface’s ass while attempting to avoid death. I have been pretty critical of David Arquette throughout the series, but in Scream 4, he did a great job and really added a lot to the movie. Wes Craven did an excellent job with the direction of this film. Where Scream 3 felt generic and uninspired, Scream 4 felt like a real passion project for him, with an infusion of new ideas to keep the series fresh. It was easily my favorite directorial performance since the original. Overall, I really enjoyed Scream 4 and think it is the first film to actually rival the original. With a slightly tighter story, this film could have easily been the best in the series. **Score:** _70%_ **Verdict:** _Good_
A young girl, passionate about fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it seems, and time seems to be falling apart with shady consequences.
Young Hollywood "Elite", aka The Social Media Influencers, think tonight’s afterparty is the usual Hollywood Hills get together at another private mansion after the club. Little do they know that not everyone is going to make it out alive. What starts off as an intimate get together spirals into a night of survival.
An aspiring serial killer abducts his first victim, both are shocked to discover that she cannot die.
Revolves around a British military contractor Lex Walker who is told his daughter has died. When he arrives in Los Angeles and discovers the body is not hers, he begins an investigation.
The gruesome Nazi Zombies are back to finish their mission, but our hero is not willing to die. He is gathering his own army to give them a final fight.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
