Eduart

A young mother works at a memory-recreation facility. When a client pushes her to break the rules, she's forced to decide how far she's willing to go. Dreams and fantasy become entangled with memory as power shifts hands.

After years in hiding and struggling to control his demons, an eccentric drifter returns home and discovers that his childhood abuser, the center of his pain, is still alive.

A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.

"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

During the making of a video film about a communist printing press, a union member and a leftist activist discuss how to present their information, especially how to caption two specific images: one of a protest in Portugal, the other of a strike in France. One of them decides to write to his son, a manual worker living outside of Paris with his girlfriend, telling the young man about his troubles.

On a desolate Navajo reservation in New Mexico, three young people – a college-bound, devout Christian; a rebellious and angry father-to-be; and a promiscuous but gorgeous Nádleehi (trans person)- search for love and acceptance.

David’s friend from college comes to visit him in LA, but his flight back to China has been canceled due to the pandemic. During the time they live together, David has a secret that he doesn’t know whether or not he should tell.

Quadruplet siblings (two boys and two girls) played by Vice Ganda were separated after birth when their grandmother steals two of the siblings (a boy and a girl) away from their mother. The stolen siblings lived a comfortable life in the US, not knowing that their mother and siblings, a gay and a lesbian, struggled to make ends meet in the Philippines. When the boy develops hepatitis that requires him to have a liver transplant from a compatible donor, their father tells them about their siblings in the Philippines, who may be possible candidates as donors. But once the siblings finally meet, pent up resentment and animosity between the girl and the gay siblings, has threatened the chances of the boy sibling's survival.

Praxis peels away the layers of narrative even as Brian, the film's axis, struggles to create his true self. Brian, a writer on the verge of a breakdown, is aided by Joe and an Elusive Woman as he sifts through the fragments of his persona to discover his true core. Fighting against fear and the indifference of society - aptly symbolized by the medical establishment - his quest reflects the classical mythos of Proteus and the human search for meaning in the universe.

Cris discovers that his five years relationships is about to end when his live-in boyfriend Michael leaves him supposedly for an out of the country business trip. He then embarks on a long journey to catch his lover and the third party, passing by his boyfriend's maternal home, his boyfriend's best friend, his own best friend and a mysterious acquaintance. Will Cris catch his boyfriend and will he be able to prevent their relationship from its inevitable ending? Not until someone dies so another can move on. Hinala is not only about fidelity but more about that long journey we take when a relationship bitterly ends and we are broken. How many times must we die so we can be free from the baggage?