Rue des Figuiers

It's 1992. Martin is 17 and he films his daily life with his Hi8 camera. He films anything and everything—his room, the world around him... But never his father, the thought doesn't occur to him. One day he meets Dominique. He's 23 and works as a student monitor at Martin's high school.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her. The former member of the Resistance during the Independence War persists in controlling the slightest moves of the households rather than struggle against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane "harem" is about to collapse.

1516, Legend has it that the king of Algiers had a wife named Zaphira. When the pirate Aroudj Barbarossa arrives to liberate the city from the Spaniards, he is determined to conquer Zaphira as well as the kingdom itself. But is Zaphira willing to let him, or is she plotting for herself?

Young Africans in Paris face insecurity and vague future. Should they stay in France, or return to their homes?

Michael Corben, along with the rest of his high-school French class, sets out for a trip to France when he is mistaken for an agent of the same name. He is beseiged by both the good guys and the bad guys. British Intelligence outfits him with a series of James-Bond-like gizmos, and Steranko sends more would-be assassins after him. Can Michael stop the evil Steranko's plans for European domination?

Two lives, two different worlds and two unalike places. Vasi and Alexandra, two strangers, travel from Alicante to Greece, through France, Italy and Albania, on a trip where they will learn to face their mistakes and delve into their personal and family relationships. A journey through gastronomy, folklore, old traditions and the difficulty of communication between foreign languages. A search for happiness, dreams and hope.

Arnaud, facing an uncertain future and a dearth of choices in a small French coastal town, meets and falls for the apocalyptic-minded Madeleine, who joins an army boot camp to learn military and survival skills to prepare for the upcoming environmental collapse. Intrigued and excited by Madeleine’s wild ideas, Arnaud signs up for the boot camp himself. They soon realize that the boot camp is harder than they’d imagined, but the experience nonetheless cements them together as the couple continues to explore their young love.

Set in a dugout in Aisne in 1918, a group of British officers, led by the mentally disintegrating young officer Stanhope, variously await their fate.

To carry out the "robbery of the century", Charles recruits the friends with whom he made the 400 blows. The night of the robbery, they get caught by police, but one of them runs away with the $2 million. Upon their release from prison, the thieves are shocked to learn that they will get their money back on two conditions and, ultimately, they must mostly have changed their ways...