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The Ceremony Is About to Begin 2024 - ()
SNL50 The Anniversary Special 2025 - ()
Mufasa The Lion King 2024 - ()
Hobby Hustle 2025 - ()
Cabrini 2024 - ()
Big Rage 2024 - ()
Return to Office 2025 - ()
SNL50 The Homecoming Concert 2025 - ()
Captain America Brave New World 2025 - ()
The Lord of the Rings The War of the Rohirrim 2024 - ()
The Peanut Man 2024 - ()
The Most Beautiful Girl in The World 2025 - ()
The Dead Thing 2024 - ()
Paddington in Peru 2024 - ()
My Fault London 2025 - ()
Trust in Love 2024 - ()
La Dolce Villa 2025 - ()
Christmas Cowboy 2024 - ()
Emmanuelle 2024 - ()
The Simpsons The Past and the Furious 2025 - ()
With a plot that could be described as Aalavandhan meets Funny Games/Naanal meets The Dark Knight (the director credits Aalavandhan, Babel, Oldboy and Tarantino's films as his influences), Raghavendra Prasad's 54321 holds promise in its first half an hour. Anjali (Pavithra) is staying in a lonely house. Her husband Vinoth (Aarvin) is on his way home. A thief (Jayakumar) breaks into the place. And soon, another man enters, but with a sinister motivation. When Vinoth comes home, he finds the house in disarray. Soon, he comes face to face with the intruder, Vikram (Shabeer), with whom he shares a past. And Vikram wants Vinoth to murder a little girl he has kidnapped if he hopes to save his wife! This is the film's best stretch. It sets up the story and is also suspenseful. But then, we start getting the backstory — why is Vikram targeting Vinoth, why is the thief here, how did Vinoth and Anjali fall in love and so on — and the answer to each one of these questions is a disappointment. The romantic track is terribly corny, the story of the thief uninspiring while his actions in the present-day are unconvincing, and the Vikram-Vinoth conflict is feeble (a childhood rivalry). And the acting gives us the impression of watching a short film. Prasad does manage to compensate for the deficient writing through his filmmaking — the setting is largely a single room, but the director never makes us feel as if we are watching a video recording of a stage play. He keeps cutting from one character to the other in unpredictable ways to keep us on an edge, and the camera movements are quite fluid. One particular device he uses is the freeze frame every time he wants to cut to the flashback, though it gets tiresome after a point. But what is troubling is that the violence seems to be there just for the sake of it. Both Vikram and Vinoth's characters are underdeveloped. We hardly feel the dilemma that the latter undergoes. And the film, too, never truly addresses the moral question at the heart of its plot — what makes one evil and is there difference between one evil act and another.
A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.
A young programmer whose job is to watch over the reality-warping Cube defies orders to rescue an innocent mother trapped in one of its rooms.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
Four teenagers at a British private school secretly uncover and explore the depths of a sealed underground hole created decades ago as a possible bomb shelter.
New York police detective John Shaft arrests Walter Wade Jr. for a racially motivated slaying. But the only eyewitness disappears, and Wade jumps bail for Switzerland. Two years later Wade returns to face trial, confident his money and influence will get him acquitted - especially since he's paid a drug kingpin to kill the witness.
Young lovers Sailor and Lula hit the road to start a new life together away from the wrath of Lula’s deranged, disapproving mother, who has hired a team of hitmen to cut the lovers’ surreal honeymoon short.
Jack Brookfield, a gambler with clairvoyant and hypnotic powers, is able to win at cards through his unique gift. But when he inadvertently hypnotizes young Clay Thorne, Thorne kills an enemy of Brookfield's while under a trance. No one believes Brookfield's protestations that Thorne is innocent of any murderous intent, so Brookfield teams up with retired lawyer Martin Prentice in hopes of saving the young man from the gallows.
When her only relative, her elder brother is accused of robbing and murdering an old woman loan-shark, pretty, young Kiriko travels from her home in Kyushu to Tokyo to get Japan's top lawyer to defend her brother. Unfortunately her naive idealism is shattered when the lawyer refuses to take the case based on her insufficient funds. What follows is a long determined revenge plot that sees the heroine become a Tokyo bar hostess and worse to punish the lawyer. The plot thickens with another murder mystery and a sleuthing reporter.
Richard Hanney has a rude awakening when a glamorous female spy falls into his bed - with a knife in her back. Having a bit of trouble explaining it all to Scotland Yard, he heads for the hills of Scotland to try to clear his name by locating the spy ring known as The 39 Steps.
Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.