The Fabulous Four 2024 - Movies (Jan 31st)
Homestead 2024 - Movies (Jan 31st)
Piglet 2025 - Movies (Jan 31st)
Absolution 2024 - Movies (Jan 31st)
Dark Match 2024 - Movies (Jan 30th)
Omni Loop 2024 - Movies (Jan 30th)
Maurice And I 2024 - Movies (Jan 30th)
The Club That George Built 2024 - Movies (Jan 30th)
Heretic 2024 - Movies (Jan 30th)
Wicked 2024 - Movies (Jan 30th)
The Line 2024 - Movies (Jan 30th)
The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Fabulous Four 2024 - ()
Homestead 2024 - ()
Piglet 2025 - ()
Absolution 2024 - ()
Dark Match 2024 - ()
Omni Loop 2024 - ()
Maurice And I 2024 - ()
The Club That George Built 2024 - ()
Heretic 2024 - ()
Wicked 2024 - ()
The Line 2024 - ()
The Girl with the Fork 2024 - ()
Black Girls 2024 - ()
Freelance 2024 - ()
Flight Risk 2025 - ()
Dark Night of the Soul 2024 - ()
Juror #2 2024 - ()
The Fish Thief A Great Lakes Mystery 2025 - ()
In Between Stars and Scars Masters of Cinema 2024 - ()
Loch Ness Monster Captured 2024 - ()
Now that Mohan Raja has proved that he can do original films, Mithran Jawahar has become the go-to guy for remaking a film. 'If it ain't broke, don't fix it,' seems to be the mantra of his filmmaking (though, who knows, he might surprise us all with a Thani Oruvan one day), and that has helped him so far. And that is the case with Meendum Oru Kadhal Kadhai, a remake the Malayalam hit Thattathin Marayathu, which is a fairly competent film as far as remakes go. In that sense, it is on even ground with Bangalore Naatkal, another remake of a Malayalam film that is popular among youngsters in the state. The story revolves around Vinodh (Walter Philips), a happy-go-lucky youngster, whose watching of Mani Ratnam's Bombay at an impressionistic age results in a fetish (of sorts) for the purdah. And his wish comes true when he stumbles into Ayesha (Isha Talwar). That encounter results in a fall — literally for the girl, and of the head-over-heels kind for Vinodh. And thus begins his dogged pursuit of the girl. But even if she does love him, will her orthodox family, headed by her authoritarian uncle Abdul Khader (Nasser), a politician, agree to the match? Given that it is pretty faithful remake, and the changes that Jawahar does are purely cosmetic (and negligible), it all depended on the cast to make Meendum Oru Kadhal Kadhai work, and they deliver. Jawahar even retains a few actors from the original like Manoj K Jayan (as a police inspector who helps out Vinodh after hearing his love story) and Vanitha Krishnachandran (as Vinodh's mother), and of course, the female lead Isha Talwar, whose chief job here is to make Ayesha look ethereal enough to make us believe that a guy would instantly be besotted with this girl. The other actors, from seniors like Nasser and Thalaivasal Vijay, to the bunch of younger actors who play the characters helping the hero in his romance, are solid. As for Walter Phillips, he is passable in a role that made Nivin Pauly a heartthrob in Kerala. But Walter, who lacks the charm of the latter, plays the role in a po-faced manner, while Nivin performed with a twinkle in his eye. Even when the staging or the acting isn't up to the mark, we respond to Shaan Rahman's enchanting score. Take away the score and we wouldn't be caring for this romance as much as we do. We sense it every time the film uses the songs that GV Prakash Kumar has composed, which keep breaking the spell that the background score builds around us (a duet in the second half is pretty much a bathroom break). Even the director seems to realises this and acknowledges the effectiveness of the original's music by reusing a couple of those Malayalam songs at key moments. The original did have its weaker moments — like the underdeveloped characters in the hero's and the heroine's families — and it is no different here. And for an (almost) frame-by-frame remake, the scenes feel stretched and Jawahar doesn't quite capture the playful tone of the original. For those who have seen the original, this Tamil version wouldn't seem as charming (obviously!), but there is enough here for someone looking for light-hearted entertainment.
A young man upsets his Punjabi family when he falls in love with an Irish schoolteacher.
Casablanca, the year of the baccalaureate. The carefree life of Morocco's golden youth and all its excesses: car races, friendships, music, alcohol, but also first loves and the anxiety of transitioning to adulthood... Marock presents a side of Morocco that is often unknown, seen through the eyes of Rita, 17, who is determined to live life on her own terms.
A man from a Brahmin family falls in love with a Christian girl. In order to convince their parents, they say contrasting lies which complicates the situation and leads to a comedy of errors.
A BSF jawan is held captive in an illegal camp run by Pakistani soldiers. Will he be able to rescue his girlfriend and return to his homeland?
Sweety has to contend with her over-enthusiastic family that wants her to get married but the ultimate truth is that her love might not find acceptance in her family and society.
A small-town boy needs to break through the class divide to gain acceptance from his childhood sweetheart who is in love with big city ideals.
The story of a rabbi and his talking cat, a sharp-tongued feline philosopher brimming with scathing humor and a less than pure love for the rabbi's teenage daughter.
Three leading figures in today's Buddhist-Christian dialogue share their personal journeys in the new documentary Jesus and Buddha: Practicing Across Traditions. We learn how following the path of the Buddha has informed and deepened their understanding of who Jesus was and what he taught. Their experience and insight bring these two liberating archetypes alive in a way that can help guide us through our own confusion and struggle toward lives filled with joy and gratitude, compassion and service.
In this fascinating and unusual conversation, writer and physician Deepak Chopra talks to religion professor Robert Thurman about the connections and differences between two of India's most important philosophical beliefs: Vedanta and Buddhism. Chopra explores the foundation of Vedanta, while Thurman - the father of actress Uma Thurman - provides the Buddhist point of view in this meeting held in 1999 at New York City's Tibet House.
A free adaptation of the novel History of the Eye, by Georges Bataille, Janaina Leite investigates the relationship between theatre and pornography, a recurring theme in her last shows, in which it is claimed as a scenic art. Hybrid between fiction and non-fiction, Story of the Eye – A Porn-noir Fairy Tale mixes 13 performers, some amateur and sex workers including a porn actor, a camboy, and a camgirl. With the collaboration of erotic film director Lara Duarte and multi-artist André Medeiros Martins, who performs works on art and pornography on different platforms, the play follows the structure of the book to tell, in fairy tale settings, the story of three teenagers in their sexual discoveries. During intermezzo, the audience watches a gig with live music and performances. Between the blatant theatricality and the explicit of pornography, the show recreates this fable noir among the vulgar and the sublime, mundane and cosmic, ordinary and abyssal.
A young alcoholic woman agrees to attend an AA meeting with her partner. When she unexpectedly runs into her estranged mother, she's forced to confront demons from her past.