Path to Glory: The Rise and Rise of the Polish Arabian Horse

Ricardo Bar (22) is a young man who lives with his family in a little farm, in the border of Brazil and Argentina. There is mainly the jungle and the settlers, descendants of German immigrants. Ricardo doesn't want to inherit his father's land; he wants to become a pastor. Problems begin when Ricardo and the community tell the directors to stop shooting and leave. From that moment on Ricardo Bar tells two stories: one about a deal, the directors' offer to Ricardo in order to be able to shoot the film, and the other about Ricardo's life at this moment, his reaction to the director's offer, reenacted for the camera.

The world’s most magnificent horsemen face an unsure future in one of the planet’s last great equine cultures. The Tibetan Buddhist region of Mustang in the High Himalaya is the Last Forbidden Kingdom and their unique heritage and remarkable spiritual bond with the horse is under threat. In a land where a man’s wealth can still be measured in horses, death defying races are the colorful back-drop for this story of the ascent of civilization in the high Himalaya. With lush cinematography, and insightful intervieww, the film also recounts the little known story of the CIA’s covert operations in Mustang, and features rare archival footage of the Dalai Lama’s flight on horseback over the Himalaya.  The scholarly and perceptive voices of Dr. Sienna Craig - author of "Horses Like Lightning" and Mikel Dunham, author of "Buddha's Warriors" turn this lens to issues of globalization, fragile border politics and the precarious future for Mustang’s distinctive equine culture.

Fragments from movies found in an abandoned cinema in Beirut. Retrieved by Mr. Salloum. Assembled by Ms. Ahwesh.

White-tiled rooms, neon lighting; on the walls black and white photographs documenting the atrocities committed by the german Wehrmacht on the Eastern Front in WW2. Against this background former soldiers talk about their experiences beyond the bounds of "normal" warfare. An uncompromising film on remembrance and oblivion.

Follows filmmaker and actress, Maryam Zaree, on her quest to find out the violent circumstances surrounding her birth inside one of the most notorious political prisons in the world.

Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.

In a slum in Chennai, India, a young mother of two, wants to sell her kidney so she can pay off the crippling debts of her family. If she sells Hema will be the fifth member of her family to sell a kidney for an amount that represents several years' wages. Across the world in Nanaimo, Canada, forty year old single mom Sandra's kidneys are failing and she has been on a waiting list for 5 years now. Two different people. Two journeys.

Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.

A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.

In the early twentieth century, the Hotel Nueva Isla was an emblematic luxury hotel. After the Cuban Revolution, it was confiscated by the State and became a shelter for homeless people. Located in Old Havana, today it is an imposing ruin. Jorge de los Rios, a retired clerk, is one of the few residents who remain there, along with La Flaca, his lover, and Waldo, a young itinerant. As the rest leave for safer places, Jorge clings to his dilapidated home and its buried treasures, slowly digging his way through its debris. The film speaks poignantly to a lost generation who fought in the Cuban Revolution and dreamed of a better society.