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A newly married meat-eating couple encounter problems after moving into a purely vegetarian society.
The grouchy Makhichoos, whoe hates Diwali, is digging furiously in the Dholakpur forest searching for a demon. Soon the demon emerges from the roots of a tree. Both the evil witch and Makhichoos plan to build a new kingdom on the eve of Diwali and teach Bheem a lesson. While Bheem and his friends are preparing for the celebrations, Chhota Hanuman also comes there to be a part of the festival. But something worse happens; Makhichoos and the evil witch kidnap princess Indumati. Will Bheem and Hanuman together rescue Indumati and triumph over the evil.
The film centers around the life of Taran, who loses her fiance Amar in a skiing accident. Her life changes when she meets Shekhar, who has seen the best and worst of times. The story explores old friendship, newfound love and a difficult decision.
In the world of insensitivity and insecurity, the new generation of LGBTQI+ community members especially transgenders are flourishing in the courtyard of their Maai(Mother). Pushpa maai, is a transgender activist and the founder of Nai Bhor organization in the pink city Jaipur.
Mammo is an account of a certain period in the life of Riyaz, a teenager who lives with his grandmother Fayyazi as they get a visit from his grandma’s sister Mehmooda Begum Anwar Ali, commonly known as ‘Mammo’.
A middle-aged antique dealer and money lender recollects his marriage to a 17-year-old orphan girl.
Kaagaz (transl. Paper) is a biographical drama about a farmer, Lal Bihari's 19-year struggle to make himself come alive again when he is declared dead in Government records by interests keen to take over his assets.
A series of three episodes which explore the relationship between men, women and the physical and mental spaces they inhabit.
Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.
The film explores the campaign waged by the Hindu right-wing organisation Vishva Hindu Parishad to build a Ram temple at the site of the Babri Masjid in Ayodhya, as well as the communal violence that it triggered. A couple of months after Ram ke Naam was released, VHP activists demolished the Babri Masjid in 1992, provoking further violence.