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**There's no one to stand against her!** Based on the Russian novel of the same name. My first guess was it going to be a boring periodic drama. After knowing about the film plot, I anticipated a storyline just like 'Moliere', but what I saw was a dark and twisted tale. I was really surprised to see a film like this. Enjoyed it though. This is not a good film from the moral value aspect. But film is a film, sometimes it just depicts the real life, even it is a fictional, surely it would have had taken place without the world knowing it. Katherine, aka Lady Macbeth, a newly married young woman, but that's not an ideal life any couples want to live. Discarded by her husband, she finds a secret lover among the staffs of the house to satisfy her sexual urges. As expected, it does not go well when gossips comes out. Following the consequences, how the rest of the story unfolds was told with a series of twists. I liked simple settings. Maybe because it was a rural tale, but was so perfect. Florence Pugh has a potential to be a big star. The same goes to the director as well. This is her first film for me. She single handedly made this film look good. Not the year's most anticipated film, but definitely worth a watch. The Russian style British tale. One of the best films from such theme. _7/10_
Florence Pugh is quite effective in this story of "Katherine", trapped in a loveless and sterile marriage with "Alexander" (Paul Hilton) who, with his father "Boris" (Christopher Fairbanks) treat her with a mixture of tolerance and contempt. The solution to her insatiety looks like it might come from their swarthy farm hand "Sebastian" (Cosmo Jarvis) and when the husband has to leave for an extended time, she discovers a sense of happiness and fulfilment that disbars any thoughts of returning to her former life of obedience and boredom - regardless of how dangerous that may be. This has nothing whatsoever to do with the Scottish play, nor with any of it's characterisations so don't expect any similarities - beyond the fact that "Katherine" soon emerges from her fragile cocoon to become a determined - and dangerous - creature bent on securing her happiness and freedom at any costs. The one thing you will notice is the distinct lack of a soundtrack. There is plenty of pretty Northern English scenery to drink in, but when there is no dialogue (especially scenes in the forest) the only sounds we hear are of nature. The ending, I found particularly fitting for her by this stage rather unlikeable character and it is quite a telling depiction of just how completely ineffective 19th Century British policing was!
Two thieves, who travel in elegant circles, try to outsmart each other and, in the process, end up falling in love.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.
Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
Cecile is a decadent young girl who lives with her rich playboy father, Raymond. When Anne, Raymond's old love interest, comes to Raymond's villa, Cecile is afraid for her way of life.
The lives of Ted and Marion Cole are thrown into disarray when their two adolescent sons die in a car wreck. Marion withdraws from Ted and Ruth, the couple's daughter. Ted, a well-known writer, hires as his assistant a student named Eddie, who looks oddly similar to one of the Coles' dead sons. The couple separate, and Marion begins an affair with Eddie, while Ted has a dalliance with his neighbor Evelyn.
The Zodiac murders cause the lives of Paul Avery, David Toschi and Robert Graysmith to intersect.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims, and he begins to use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Apu is a jobless ex-student dreaming vaguely of a future as a writer. An old college friend talks him into a visit up-country to a village wedding. Preserved by the Academy Film Archive in 1996.
Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.
