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An IT company hires an actor to serve as the company's president in order to help the business get sold to a cranky Icelander.
Tom, a legal firm assistant, spots a suspicious man outside the court and follows him. Later, he gets trapped in a building with the same man who turns out to be a hitman.
In this short student film, an office temp at Crane's Family Candles attempts to survive a work party.
Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.
Four young office workers have a bet going to see who can last the longest without going outside. In the maze that is the downtown core of a large city, glass skywalks connect apartment buildings, office towers and shopping malls. Its day 28 of the bet and over the lunch hour, as the office prepares for the company founder's retirement party, things start to seriously unravel.
The employees of Kuri González Shoe Stores loved the idea of Home-Office-in March. After months of confinement, Mirreyes and Godínez are constantly trying to maintain their sanity.
Side by side in a leafy suburb, Thom lives in one flat, Alethea in another. It's pretty clear that their respective, unsatisfying lives would improve enormously if they just met each other. But with a wall literally between them, this seems highly improbable. Then there's the building's Power Box, having an existential crisis about the eventual collapse of the universe, and the super nova from five thousand years ago. Then there's time travelling on an equation for the speed of light and too much sugar. There's demon magpie attacks, laptops in love, cats dancing to Prince and sock puppet nightmares. And a tiny prayer by the Wall, hoping that all of these pieces can come together for one magical moment of love.
Joel Goodman is a hotshot advertising executive angling for a promotion, but he feels stuck - not least of all in traffic. A seeming answer to his prayers comes in the form of a homeless man whom Joel pays to sit in his passenger seat so he can use the carpool lane. The two form an unexpected bond, and Joel comes to realize that sometimes changing lanes can change your life.
In her many years as a social worker, Emily Jenkins believes she has seen it all, until she meets 10-year-old Lilith and the girl's cruel parents. Emily's worst fears are confirmed when the parents try to harm the child, and so Emily assumes custody of Lilith while she looks for a foster family. However, Emily soon finds that dark forces surround the seemingly innocent girl, and the more she tries to protect Lilith, the more horrors she encounters.
Workplace is a documentary made by Gary Hustwit, in association with R/GA, for the 2016 Venice Architecture Biennale.Workplace is about the past, present, and future of the office. It looks at the thinking, innovation, and experimentation involved in trying to create the next evolution of what the office could be. The film follows the design and construction of the New York headquarters of digital agency R/GA (in collaboration with architects Foster + Partners) who have been experimenting with how physical and digital space can better interact. Digital technology has radically changed how and where most of us work, but the physical spaces we work in haven’t kept up with that transformation.
A bookish CIA researcher finds all his co-workers dead, and must outwit those responsible until he figures out who he can really trust.