Une jeune fille de 90 ans

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

This is the story of Val and Clare: a mother and a daughter. After the tragic death of her eldest daughter, Val left her kids and family behind and escaped into the Colombian jungle in order to search for her identity. Clare was only 11 years old when her mother left and couldn't understand what she was looking for. A son who became an addict, three break-ups and a fractured family remained behind. Now Clare is pregnant and decides to confront her mother, heal the wounds of the past and try to define motherhood on her own terms. Together they go on an intimate journey exploring the boundaries between responsibility and freedom, the power of love and the meaning of family.

An intimate, behind-the-music portrait of one of the most unassuming yet influential creative artists of our time, guitarist Bill Frisell. Frisell said of the film, “It’s like the inside of my brain!”

Five women veterans who have endured unimaginable trauma in service create a shared sisterhood to help the rising number of stranded homeless women veterans by entering a competition that unexpectedly catalyzes moving events in their own lives.

Georgiana Halmac is turning 15 this winter, but she has no time for teenage dreams when her mother, who's on unemployment, moves to Torino to find work. Georgiana is left in charge of her six siblings in a social housing condo on the outskirts of Bacau, Romania. Caught between adolescence and the responsibilities of adulthood, Georgiana does the best she can, improvising with parenting advice from the television and the occasional phone call with her mother. As she handles her own issues and high-school dramas, Georgiana must also deal with admonishing neighbours who threaten to turn the whole family into social services. With incredible calm and stoicism, Georgiana amazes as she holds everything together in an ingenious and delicate balance.

Feature-length documentary about the greatest diver of all time. Four-time Olympic champion Greg Louganis has faced more than his share of challenges. In 2011, he is far from the public eye and struggling to pay his mortgage. Now, the openly gay, HIV+ world-class athlete returns to diving to mentor the USA Olympic hopefuls. This may be his best chance to regain the notoriety - and financial stability - he enjoyed at the height of his career.

While working at Uruguay's largest prison construction site, Miguel is leading a double life. When he realizes that he has become a prisoner of his own lies, Miguel struggles to find the courage to disclose the truth to his loved ones.

Depicts a cast of fine artists and eccentric scientists (from MIT and NASA) who have devoted their lives to the unlikely medium of modern origami. Through their determination to reinterpret the world in paper, they arouse a fascinating mix of sensibilities towards art, form, expressiveness, creativity and meaning

Alexandra Pelosi travels through the United States interviewing and filming several evangelical pastors and congregations.

The Beatles First US Visit uniquely chronicles the inside story of the two remarkable weeks when Beatlemania first ignited America. The pioneering Maysles Brothers who filmed at the shoulders of John, Paul, George and Ringo, innovated an intimate documentary style of film-making which set the benchmark for rock and roll cinematography that remains to this day.

After a twenty year period of multiple illnesses and injuries, the filmmaker turns the camera on herself as a way to analyze her chances for a happier, healthier life. In the process, she captures the frustration, tedium and petty annoyances of a revolving-door relationship with the medical establishment, while portraying the complicated web of emotions that accompany any medical problem. With humor and honesty, The Odds of Recovery uses the filmmaker's medical history as a means to address a perennial human problem: the desire to avoid conflict and deny the need for radical change.