Tahiya li Kamal Jumblatt

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Intimate discussion with the inhabitants of Kfarbaal, a village tucked in the mountains above Byblos. We hear them share their experiences, deceptions and dreams.

The best kept secret of The Andes will be revealed… For some, he is the thinker that set in motion a spiritual and political movement that passed through borders and extended from Argentina to India. For other, he is the leader of a sect, a skillful manipulator and demagogue. For most, he is still a mystery. Through this feature length documentary film we try to tell the life and work of this extraordinary person, posing a disturbing question: Who is Silo?

Wissam Charaf traces the recent history and identity of Lebanon through its political campaigns, PR imagery and pop videos.

The story of those Italian women who, for eighty years, have fought against power in all its forms.

Ibrahim Sultani is a 22-year-old architecture major who has a hobby of painting portraits on banknotes. On them, he portrays Lebanese icons from the fields of music, cinema, sports, media, fashion, and many more due to the common appreciation and love that Lebanese citizens share for them. Due to the economic crisis that exists within the country, he hopes his work will give the currency back some of its lost value, at least metaphorically.

Directed by Bahij Hojeij, “Lebanon, Message from a Holy Land” visits Lebanon’s many ancient Christian holy sites. The documentary focuses especially on the Qadisha Valley, home to several historical monastaries and very old Christian churches.

Bahij Hojeij’s documentary studies the infamous Green Line between east and west Beirut during the civil war.

Architecture in Beirut was the second greatest victim of the civil war, with pages of ancient and modern history erased by the end of the conflict. This documentary interviews citizens calling for a reconstruction plan that would preserve Beirut’s spirit of culture and openness.

“Al Makhtufun” won the 1998 Best Short Documentary Film Award at the Mediterranean Film Festival for highlighting the issue of abducted Lebanese. The film raises two major issues: The abductee’s physical absence and his spiritual presence among his family members, and the parents silently wishing his return. The documentary looks at documents kept by Wadad, a mother who decides to step outside her comfort zone and share her papers and forms when other parents would not.

The apocalyptic blast in the Port of Beirut, Lebanon, on August 4, 2020, exacerbates anger at those in power: protests cross religious boundaries as the Lebanese people curse corruption, nepotism, gross economic mismanagement and squandering of resources. How did the Land of Cedars, a country with so much to offer, allow itself to get into such a dire situation? And will it be able to bounce back?