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Businesswoman Claire King is the daughter of a powerful advertising executive. When Claire marries humble copywriter Bill Landin, she wants to use her influence to help her husband get ahead, but he will have none of it.
The story of the sexual development of a filmmaker through three stages of his life.
The Girl from Carthage (also known as La fille de Carthage) is a 1924 Tunisian film directed by Albert Samama Chikly.
A workaholic father becomes sole parent to his two young sons, and finds it hard to relate to them, consumed as he is with his own grief.
A community of people rejected by society live in an abandoned residence located in a "Medina": an old town in Tunisia. Al Bab, a local criminal running the residence's prostitution circle, returns from prison on his wedding day. Fraj, his brother and the town warlock, falls in love with Ramla, his brother's future wife: He is the only man of the residence who has seen her face, as she is kept prisoner in one of the rooms until the wedding night.
Amel is released from prison after an adulterous affair. In the violent streets of Tunis, Amel seeks her missing son Moumen, a young football player destroyed by the scandal. During her journey, Amel has to face Tunisian society in ruins.
An old man about to die gives all his fortune to a young beggar he meets in an Arabian town. He takes him to his house (now the poor man's property) and he strongly advises him not to open one of the doors, the seventh door. "I could throw the key into the sea" says the young lad" No use, you'd dive to get it back". The young man is curious and he cannot resist temptation: he opens the forbidden door. A strange world is waiting for him where a girl, Leila, will be his guide .
In the ensuing days before his wedding bridegroom Hachemi faces both the anxieties of the future and the shadows of the past. His best friend, Farfat, is the topic of street graffiti and local gossip, which calls his manhood into question. This ripples out to affect Hachemi for, unbeknownst to anyone, as apprenticed youths they were molested by Ameur, the local carpenter. Farfat is banished from his father's home and the shared secret between the two friends threatens to undo more than just the wedding, but their very lives.
Even though he's been living with Fouad for three years, Malik is going to marry Halima. Since Fouad doesn't accept this marriage, which would imply a total upheaval of their everyday life, Malik makes him promise not to attend the wedding, which will take place in his parents’ village. As the ceremony approaches, the pressure builds. Will Malik choose to save face in front of his family and the wedding guests or will he choose to save the relationship with the one he loves?