The neon sign ‘Circus’ illuminates the wide street of Naples’ suburbs: four circus families were abandoned by the institutions, and now they’re awaiting the pandemic will disappear, like a magic show. The circus has stopped, but their lives go on.
Dabbling in the occult is widespread and often thought of as harmless entertainment. But this video shows why it is dangerous to get involved with spiritism, fortune telling, witchcraft, magic, and Satanism. The program introduces the real life stories of those who have been involved in these activities and shows the way out based upon a Biblical perspective.
The Metaliens, alien robots intent on galactic domination, encounter a major setback. Their enormous Space Saucer, 'Compromise', enters a black hole in a strange, uncharted region of Space, and collides with another craft – sending the Kleptonite Ball, their precious cargo and the key to Universal Conquest, hurtling to a planet inhabited by primitive life forms: Earth. Having materialised in a bar, the Ball variously functions as a Christmas tree decoration, a bathroom ornament, and a fortune-teller's prop. The Metaliens must retrieve the Kleptonite Ball if their mission is ever to succeed. And that's when their problems really begin…
Documentary filmmaker Védrès' first semi-fictional feature was released in France in 1949 as La Vie Commence Demain. The film made it to the U.S. in 1952 as Life Begins Tomorrow. Made in cooperation with UNESCO, the film speculates on the future of mankind after the advent of Atomic Energy. Many prominent French artists and intellects contribute to the narration: Jean-Pierre Aumont plays The Man of Today, Andre Labarthe is the Man of Tomorrow, and Jean-Paul Sartre, Daniel Agache, Jean Rostand, Le Corbusier, Pablo Picasso and Andre Gide are respectively seen as "The Existentialist," "The Psychiatrist,' "The Biologist," "The Architect," "The Artist" and "The Author". Film clips of hospitals, schoolrooms, scientific laboratories, and even nightclubs are woven into Védrès' fascinating tapestry.
“Those Who Come, Will Hear” proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.
The Beanie Bubble follows the unbelievable tale of America’s most fascinating phenomenon – Beanie Babies. Flashing back to the 90’s and early 2000’s, we take an in-depth look at how the era-defining zeitgeist came to be, the mysterious man behind the mania, and the lives that were forever changed in its wake. This is not simply a retelling, but rather an exploration of the American Dream and what makes all people susceptible to buying into a fantasy.
A documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers, and luxuriates in the language and the theater of their debates, begging the question, "What has television done to the way we discuss politics in our democracy today?"
The story of the Black Panthers is often told in a scatter of repackaged parts, often depicting tragic, mythic accounts of violence and criminal activity; but this is an essential story, vibrant, human; a living and breathing chronicle of a pivotal movement that birthed a new revolutionary culture in America.
A German documentary that explores the darker side of the Beach Boys, primarily focusing on Brian Wilson and the Pet Sounds album, with detours to the Manson Family.
Investigates the reasons North Carolina, long seen as the most progressive state in the South, became home to the largest Klan organization in the country, with more members than all the other Southern states combined, during the 1960s.
Documentary about seminal garage-rock band, The Seeds, that uses vintage footage, rare photos, memorabilia and audio, plus fresh interviews with band members and associates as well as notable fans and observers, Pushin’ Too Hard relates the bizarre rage-to-riches-to-rags tale of the rock quartet who took Los Angeles by storm in the mid-60s.